Contemporary Women's Writing in India
Lexington Books (Publisher)
1st Edition
Published on 24. December 2014
206 pages
979-8-216-32133-0 (ISBN)
Description
The word doyennes signifies the various expressions of female, feminine, and feminist aspects of contemporary literature in India, through multiple theoretical frameworks. Contemporary Women's Writing in India is an edited collection dealing with a range of these issues set in the society of Indian culture. Indian women's literature is still a fertile ground for critical enquiry. There are three sections in the collection: Section I deals with specific instances in history, historical constructions, and representations of gender. Section II offers a varied spectrum of feminist critical discourse on contemporary Indian women's writing, intersecting with the frameworks of post-colonial theory, deconstruction, perspectives on race and ethnicity, and eco-feminism. Section III touches upon the notion of the woman's body and psyche through the varied perspectives of psychoanalysis, feminism, and post-feminism. By thoroughly exploring a range of issues, Contemporary Women's Writing promises to take the reader by the hand, and journey through the unfamiliar but refreshing landscape of women's literature in India.
More details
Edition
1. Auflage
Language
English
Place of publication
United States
Publishing group
Bloomsbury Publishing Plc
Target group
Professional and scholarly
ISBN-13
979-8-216-32133-0 (9798216321330)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Varun Gulati | Maratt Mythili Anoop
Contemporary Women's Writing in India
Book
12/2014
Lexington Books
€131.30
Shipment within 15-20 days
Persons
Mythili Anoop teaches at Gandhi Institute of Technology and Management University.
Varun Gulati has taught English literature and language for ten years in colleges and universities across India.
Varun Gulati has taught English literature and language for ten years in colleges and universities across India.
Content
Contents:
Acknowledgments
Introduction
Varun Gulati and Mythili Anoop
Section I
Ch 01 Herstory: Nayantara Sahgal's Prison and Chocolate
Rachel Bari
Ch 02 Producing Nation: Gender and the Idea of India
Etienne Rassendren
Ch 03 Where is 'home'? A Study of Taslima Nasreen's Homecoming and Asif Currombhoy's The Refugee
Anju Jagpal
Ch 04 Scar(r)ed Women: Reading Fictional Representations of Women Afflicted by Insurgent Conflict
Mukuta Borah
Ch 05 Caught in the Crossfire of History: Social Reality of Post-colonial India in Anita Desai's Clear Light of Day
Pramod Kumar Das and Narayan Jena
Section II
Ch 06 Assertion of 'Self': A Feminist Discourse in Manju Kapur's
Difficult Daughters and A Married Woman
Sutapa Biswas
Ch 07 Deconstructing the Stereotypes: A study of Jhuma Lahiri's "Unaccustomed Earth" and Ismat Chugtai's "The Quilt"
Gauri Mandapaka
Ch08 The Alienated Self: Ashima in Jhumpa Lahiri's The Namesake
Shyamkiran Kaur, Rajinder K. Sen, and Poonam Pahuja
Ch 09 Between Silence and Scream: A Study of Violence against Women in Manjula Padmanabhan's Lights Out
Bhavesh Kumar and Anand Mahanand
Ch 10 Negotiating with Pluralities: Race, Gender, and Ethnicity in the Writings of Shani Mootoo
Neetu Devi and Ashutosh Singh
Ch 11 Identity Crises in Namita Gokhle's Paro: Dreams of Passion
Shalini Vohra, Mudita Agnihotri, and Meenakshi Sain
Section III
Ch 12 Psychoanalytical Study of the Selective Characters of Ladies Coupe
Anjali Verma, Prerna Jatav
Ch 13 Mahari Then and Now: Queering Performativity in Odissi
Kaustavi Sarkar
Ch 14 Sarah Aboobackar's Sahana: A Saga of Mute Body
Ambika G. Mallya and Shashikantha Koudur
Ch 15 Chitra Banerjee Divakaruni's The Palace of Illusions: An Écriture Féminine
Sarannya V Pillai
Index
About the Contributors
Acknowledgments
Introduction
Varun Gulati and Mythili Anoop
Section I
Ch 01 Herstory: Nayantara Sahgal's Prison and Chocolate
Rachel Bari
Ch 02 Producing Nation: Gender and the Idea of India
Etienne Rassendren
Ch 03 Where is 'home'? A Study of Taslima Nasreen's Homecoming and Asif Currombhoy's The Refugee
Anju Jagpal
Ch 04 Scar(r)ed Women: Reading Fictional Representations of Women Afflicted by Insurgent Conflict
Mukuta Borah
Ch 05 Caught in the Crossfire of History: Social Reality of Post-colonial India in Anita Desai's Clear Light of Day
Pramod Kumar Das and Narayan Jena
Section II
Ch 06 Assertion of 'Self': A Feminist Discourse in Manju Kapur's
Difficult Daughters and A Married Woman
Sutapa Biswas
Ch 07 Deconstructing the Stereotypes: A study of Jhuma Lahiri's "Unaccustomed Earth" and Ismat Chugtai's "The Quilt"
Gauri Mandapaka
Ch08 The Alienated Self: Ashima in Jhumpa Lahiri's The Namesake
Shyamkiran Kaur, Rajinder K. Sen, and Poonam Pahuja
Ch 09 Between Silence and Scream: A Study of Violence against Women in Manjula Padmanabhan's Lights Out
Bhavesh Kumar and Anand Mahanand
Ch 10 Negotiating with Pluralities: Race, Gender, and Ethnicity in the Writings of Shani Mootoo
Neetu Devi and Ashutosh Singh
Ch 11 Identity Crises in Namita Gokhle's Paro: Dreams of Passion
Shalini Vohra, Mudita Agnihotri, and Meenakshi Sain
Section III
Ch 12 Psychoanalytical Study of the Selective Characters of Ladies Coupe
Anjali Verma, Prerna Jatav
Ch 13 Mahari Then and Now: Queering Performativity in Odissi
Kaustavi Sarkar
Ch 14 Sarah Aboobackar's Sahana: A Saga of Mute Body
Ambika G. Mallya and Shashikantha Koudur
Ch 15 Chitra Banerjee Divakaruni's The Palace of Illusions: An Écriture Féminine
Sarannya V Pillai
Index
About the Contributors
