
From Film Adaptation to Post-Celluloid Adaptation
Description
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Though the discussion is framed through the 'new media' lens, the work will not exclude a broader understanding of New Media which refers to video games, official websites and interactivity so as to examine how the visual style of contemporary films is dispersed across, and influenced by, other media. Discussing films like Minority Report, King Kong, 300 and Wanted in relation to Film Adaptation theory, the work aims to challenge and rework the definition of adaptation.
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Content
1. Towards the Intertextual Dialogism Approach
2. Towards Post-celluloid Adaptation
3. From the Pre-diction of Crime to the Pre-vision of Screenless Media: Spielberg's Adaptation of Philip K. Dick's The Minority Report
4. Adapting the Literature of the Double: Manifestations of Cinematic Forms in Fight Club and Enduring Love
5. Bullet-time, Blood Spraying Time, and the Adaptation of the Graphic Novel
6. From Shadows to Excess: New Media Hollywood and the Digitizing of Gothic Monsters in Van Helsing
7. Puppet Kong vs. Synthetic Kong: Peter Jackson's King Kong as Post-celluloid Adaptation
Conclusion
Bibliography
Index
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