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In a world of intensified globalisation, links between space, music and identity are increasingly tenuous, yet places give credibility to music, not least in the 'country', and music is commonly linked to place, as a stake to originality, a claim to tradition and as a marketing device. This book develops new perspectives on these relationships and how they are situated within cultural and geographical thought.
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'This is a really good book, which I enjoyed immensely, and I am confident that it will becomea classic publication in its field. Indeed it contains so much material that it is probably impossible to asorb it all in one reading. It is a book that I look forward to reading again...' - Andrew Leyshon, Progress in Human GeographyMore details
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