
Coleridge and the Geometric Idiom
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Reviews / Votes
'Given how young many of the Romantics were when they first started demonstrating remarkable language and thinking skills, it seems a wise move for scholars to investigate their education in school and university, and to consider the poets' experiences following immediately upon leaving these institutions in their critical studies. Colley's book is a fine addition to this field of study.' Catherine Ross, The Coleridge Bulletin 'An excellent monograph on the cartographic and geometrical idiom in Coleridge's work ... taut and focused ... Colley pays scrupulous attention to the several crescents and plunging lines with which Coleridge sought to render the various inclines and sudden drops with which he came into bodily contact. ' Ewan Jones, The Review of English Studies 'Colley ... manages to keep her focus sharp, making it a fast and fun read - a notable achievement for a book on poetry and geometry ... filled with lifetimes of reading, imagination, and wisdom ... genuinely reset[s] our understanding of Romantic-era writers' engagement with mathematics and their philosophical outlooks based on that engagement.' Aaron Ottinger, The Wordsworth CircleMore details
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