
Moving Frames
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"The editors clearly state that the volume is not an exhaustive analysis of photography in German film but rather a beginning of the discussion. Well written and approachable, this volume is certainly an excellent starting point...Highly Recommended." * ChoiceMore details
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Acknowledgments
Introduction: Photographs as Rupture and Affect in German Film
Carrie Collenberg-Gonzalez and Martin P. Sheehan
Chapter 1. Layers of Exposure: The Photographic Approach in Gerhart Lamprecht's Zille Film Slums of Berlin (1925)
Jason Doerre
Chapter 2. Objecting Objects: Photographs and Subjectivity in The Blue Angel (1930)
Martin P. Sheehan
Chapter 3. Before- and Afterlives: On the Stillness of Photographs at the Outset of Adenauer Cinema
John E. Davidson
Chapter 4. Filming After Walker Evans: Wim Wenders' "American Pictures" in Kings of the Road (1976)
Stefanie Harris
Chapter 5. The Transgression of Overpainting: Juergen Boettcher's Radical Experiments with Intermediality in Transformations (1981)
Matthew Bauman
Chapter 6. The Promise of Agency: Photographs and Value in Tattoo (2002)
Cynthia Porter
Chapter 7. Curating the Image: Visual Intertextuality in The Baader Meinhof Complex (2008)
Reinhard Zachau
Chapter 8. Re-presenting German Heritage Films: Photographic Memory in Aimee & Jaguar (1999), Good Bye, Lenin! (2003), and Almanya-Welcome to Germany (2011)
Carrie Collenberg-Gonzalez
Chapter 9. Imaging the "Good Life": Destabilizing Subjecthood and Conceptions of the Normative Family in Ghosts (2005)
Simone Pfleger
Chapter 10. Violence, Death, and Photographs: Capturing the (Un)Dead in Rammbock (2010)
Melissa Etzler
Chapter 11. Possible Archives: Encountering a Surveillance Photo in Karl Marx City (2016)
Anke Pinkert
Afterword: Toward a Camera Ludica: Agency and Photography in Videogame Ecologies
Curtis L. Maughan
Index
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