
The Shutter of Snow (Faber Editions)
Description
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'Astonishing and moving. A pretty amazing book.' Tessa Hadley
'Extraordinary. A fascinating and unexpected delight.' Lucy Ellmann
'Haunting and evocative, this is a timeless portrayal of madness.' Catherine Cho
'A startling, luminous and magnetic novel about the complexity of motherhood.' Yiyun Li
'With its deep musicality, Coleman's unforgettable voice was years ahead of its time.' Sinead Gleeson
The only thing to do is to put hammers in the porridge and when there are enough hammers we shall break down the windows and all of us shall dance in the snow.
Some days, Marthe Gail believes she is God; others, Jesus Christ. Her baby, she thinks, is dead. The red light is shining. There are bars on the window. And the voices keep talking.
Time blurs; snow falls. The doctors say it is a breakdown; that this is Gorestown State Hospital. Her fellow patients become friends and enemies, moving between the Day Room and Dining Hall, East Hall and West Side, avoiding the Strong Room. Her husband visits and shows her a lock of her baby's hair, but she doesn't remember, yet - until she can make it upstairs, ascending towards release ...
Shocking and hilarious, tragic and visceral, this experimental portrait of motherhood and mental illness written in 1930 has never felt more visionary.
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Persons
Claire-Louise Bennett grew up in Wiltshire and studied literature and drama at the University of Roehampton, before moving to Ireland where she worked in and studied theatre for several years. In 2013 she was awarded the inaugural White Review Short Story Prize and her debut book, Pond, was shortlisted for the Dylan Thomas Prize in 2016. Her fiction and essays have appeared in a number of publications including White Review, Stinging Fly, gorse, Harper's Magazine, Vogue Italia, Music & Literature, and New York Times Magazine. Her new novel, Checkout 19, was shortlisted for the 2021 Goldsmiths Prize.
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