
Race and Performance after Repetition
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Persons
Douglas A. Jones Jr. is Associate Professor of English at Rutgers University and author of The Captive Stage: Performance and the Proslavery Imagination of the Antebellum North.
Shane Vogel is Ruth N. Halls Professor of English at Indiana University and author of Stolen Time: Black Fad Performance and the Calypso Craze.
Content
Introduction: Tidying Up after Repetition / Soyica Diggs Colbert, Douglas A. Jones Jr., and Shane Vogel 1
Part I. Toggling Time: Metatheaters of Race
1. So Far Down You Can't See the Light: Afro-Fabulation in Branden Jacob-Jenkins's An Octoroon / Tavia Nyong'o 29
2. The Performance and Politics of Concurrent Temporalities in George C. Wolfe's Shuffle Along / Catherine M. Young 46
3. A Sonic Treatise of Futurity: Universes' Party People / Patricia Herrera 71
Part II. Choreo-Chronographies
4. Joe Louis's Utopic Glitch / Tina Post 103
5. Sorrow's Swing / Jasmine Johnson 127
6. Parabolic Moves: Time, Narrative, and Difference in New Circus / Katherine Zien 142
7. Choreographing Time Travel: Rethinking Ritual through Korean Diasporic Performance / Elizabeth W. Son 173
Part III. Temporal (Im)mobilities: Dwelling Out of Time
8. Carceral Space-Times and The House That Herman Built / Nicholas Fesette 199
9. Performance Interventions: Natality and Carceral Feminism in Contemporary India / Jisha Menon 220
10. Whitnessing Queer Flights: Josué Azor's Lougawou Images and Antihomosexual Unrest in Haiti / Mario Lamothe 242
11. The Body Is Never Given, nor Do We Actually See It / Joshua Chambers-Letson 270
Bibliography 293
Contributors 317
Index 321
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