
Underground Passages
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An exhaustive study of the richly textured "resistance culture" anarchists create to sustain their ideals and identities amid everyday lives defined by capital and the state, a culture prefiguring a post-revolutionary world and allowing an escape from domination even while enmeshed in it. Whether discussing famous artists like Kenneth Rexroth, John Cage, and Diane DiPrima, or relatively unknown anarchist writers, Jesse Cohn clearly links aesthetic dynamics to political and economic ones. This is cultural criticism at its best.
Jesse Cohn is the author of Anarchism and the Crisis of Representation: Hermeneutics, Aesthetics, Politics, and an associate professor of English at Purdue University North Central in Indiana.
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Content
Introduction
The Reader in the Factory
Part II Speaking to Others: Anarchist Poetry, Song, and Public Voice
1: The Poet's Feet
2: The Devil's Best Tunes
3: Two Crises of Language
4: "A Need Without A Hope"
5: Fight or Flight?
Part III "Out of the Bind of the Eternal Present": Anarchist Narrative
1: White Rooms
2: Varieties of Estrangement
3: Outcast Narratives
4: From Cretinolândia to Common-Sense Country
5: Stronger Loving Worlds
6: From Terre Libre to Temps de Crises
7: Barbarizing Visions
8: A Social Spectacle?
9: The Mirror Stage
Part IV Breaking the Frame: Anarchist Images
1: Virile Bodies
2: "He Peddles Signs": Words and Images
3: "Evolution Is Not Over Yet": Visual Narrative
4: The Stuttering Image: Anarchist Cinema
Conclusion: Lines of flight
Bibliography
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