
Camp
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Content
- Intro
- CONTENTS
- Acknowledgements
- Posology (or, How to Read a Reader)
- Introduction: Queering the Camp
- Secton I: Tasting It
- Introduction
- 1 From the World in the Evening
- 2 'Notes on ''Camp'''
- 3 'Camp-Toi! On the Origins and Definitations of Camp'
- 4 From Camp: The Lie that Tells the Truth
- Section II: Flaunting the Closet
- Introduction
- 5 'Role Models'
- 6 'It's Being So Camp as Keeps Us Going'
- 7 'The Cinema of Camp (aka Camp and the Gay Sensibility)'
- 8 'For Interpretation: Notes Against Camp'
- 9 'Sex and Addres in Dynasty'
- 10 'Homosexual Signs (in Memory of Roland Barthes)'
- 11 'Forgery'
- 12 'Toward a Butch-Femme Aesthetic'
- Section III: Gender, and Other Spectacles
- Introduction
- 13 From 'Wilde, Nietzsche and the Sentimental Relations of the Male Body'
- 14 'Post/modern: On the Gay Sensibility, or the Pervert's Revenge on Authenticity'
- 15 'Camp Among the Swastikas: Isherwood, Sally Bowles, and ''Good Heter Stuff''
- 16 'Genderfuck: The Law of the Dildo'
- 17 'What Makes the Feminist Camp?'
- 18 ''Who's That Girl?' Annie Lennox, Woolf's Orlando and Female Camp Androgyny'
- Section IV: Pop Camp, Surplus Counter-Value, or the Camp of Cultural Economy
- Introduction
- 19 'Uses of Camp'
- 20 'The Caped Crusader of Camp: Pop, Camp and the Batman Television Series'
- 21 'Warhol's Camp'
- Section V: The Queer Side
- Introduction
- 22 'From 'nteriority to Gender Performatives'
- 23 'Boys will be Girls: Drag and Transvestic Fetishism'
- 24 'Mae West's Maids: Race, "Authenticity", and the Discourse of Camp'
- 25 'Camping in the Art Closet: The Politics of Camp and Nation in German Film'
- 26 'The Deaths of Camp'
- Digging the Scene: A Bibliography of Secondary Materials 1869-1997
- Index of Names
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