
The Outsider, Art and Humour
Description
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Each chapter deals with specific themes and approaches - from the construct of outsider and complexity of humour, to Outsider Art and spaces - using various theoretical and analytical methods. Paul Clements draws on humour, especially from visual arts and culture (and to a lesser extent literature, film, music and performance), as a tool of ridicule, amongst other discourses, employed by the powerful but also as a weapon to satirize them. These ambiguous representations vary depending on context, often assimilated then reinterpreted in a game of authenticity that is poignant in a world of facsimile and 'fake news'. The humour styles of a range of artists are highlighted to reveal the fluidity and diversity of meaning which challenges expectations and at its best offers resistance and, crucially, a voice for the marginal.
This book will be of particular interest to scholars in art history, cultural studies, fine art, humour studies and visual culture.
Reviews / Votes
"Clements shows us why humor and joking in art, and in particular 'outsider art,' should matter to us. His book is funny, and he explains the jokes, yet it is serious because humor can heal or abuse and we ought to care whether it makes people's lives better or worse. ... Clements' book is a great primer for scholars, jokers, and artists who seek justice in a crazy world."--Rhizomes: Cultural Studies in Emerging Knowledge
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Person
Content
Approaches to humour and laughter
The construct of outsider: media labelling, 'othering' and excluded minds
The construct of outsider: identity, the body and representation
Humorous representations of the outsider: hybridity, utility and carnivalesque
Representations of humour by marginal artists
Creative outsider spaces and dark heterotopias
Transgression, spectacle and political correctness
Afterthoughts
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