
Somewhere in the Night
Description
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Acclaimed novelist and poet Nicholas Christopher explores the cultural identity of film noir in a seamless, elegant, and enchanting work of literary prose. Examining virtually the entire catalogue of film noir, Christopher identifies the central motif as the urban labyrinth, a place infested with psychosis, anxiety, and existential dread in which the noir hero embarks on a dangerously illuminating quest. With acute sensitivity, he shows how technical devices such as lighting, voice over, and editing tempo are deployed to create the film noir world. Somewhere in the Night guides us through the architecture of this imaginary world, be it shot in New York or Los Angeles, relating its elements to the ancient cultural archetypes that prefigure it. Finally, Christopher builds an explanation of why film noir not only lives on but is currently enjoying a renaissance.
Somewhere in the Night can be appreciated as a lucid introduction to a fundamental style of American culture, and also as a guide to film noir's heyday. Ultimately, though, as the work of a bold talent adeptly manipulating poetic cadence and metaphor, it is itself a superb aesthetic artifact.
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Content
Contents
Acknowledgments
Introduction
1 Into the Labyrinth
2 Night and the City
3 Postcards from the Ruins: Some Americans Abroad
4 Office Buildings and Casinos
5 Grafters, Grifters, and Tycoons
6 The Dark Mirror: Sex, Dreams, and Psychoanalysis
7 Black and White in Color
8 Paint It Black
Appendix: A Brief Genealogy
Sources
Selected Filmography: 1940-1959
Selected Neo-Noirs: 1960-1997
Index
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