Forms and Meanings
Texts, Performances, and Audiences from Codex to Computer
1st Edition
Published on 3. August 2010
144 pages
978-0-8122-0036-2 (ISBN)
Description
In this provocative work, Roger Chartier continues his extraordinarily influential consideration of the forms of production, dissemination, and interpretation of discourse in Early Modern Europe. Chartier here examines the relationship between patronage and the market, and explores how the form in which a text is transmitted not only constrains the production of meaning but defines and constructs its audience.
Reviews / Votes
"Drawing on a wide variety of evidence, including inventories of the costumes, program notes, and contemporary correspondence, Chartier provides a wonderfully rich account of what the performances meant."-Robert Darnton, New York Review of BooksMore details
Series
Language
English
Place of publication
Pennsylvania
United States
Target group
College/higher education
ISBN-13
978-0-8122-0036-2 (9780812200362)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Book
09/1995
University of Pennsylvania Press
€24.00
Shipment within 10-20 days
Person
Roger Chartier is Directeur d'Etudes at the Ecole des hautes etudes en sciences sociales, Professor in the College de France, and Annenberg Visiting Professor of History at the University of Pennsylvania. He is the author of numerous books, including Inscription and Erasure: Literature and Written Culture from the Eleventh to the Eighteenth Century, also available from the University of Pennsylvania Press.
Content
Acknowledgments
Introduction
Ch. 1. Representations of the Written Word
Ch. 2. Princely Patronage and the Economy of Dedication
Ch. 3. From Court Festivity to City Spectators
Ch. 4. Popular Appropriation: The Readers and Their Books
Notes
Selected Bibliography
Index
Introduction
Ch. 1. Representations of the Written Word
Ch. 2. Princely Patronage and the Economy of Dedication
Ch. 3. From Court Festivity to City Spectators
Ch. 4. Popular Appropriation: The Readers and Their Books
Notes
Selected Bibliography
Index
