
Against Anarchy
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The literary prevalence of Anarchists has so far not been connected systematically to its literary and political functions. The study addresses this research gap in detailed analyses of a radical theme in narratives by Joseph Conrad, Henry James, and G.K. Chesterton. It shows that each novel presents strategies of demarcation that allow turn-of-the-century Britain to project its cultural anxieties upon an imagined other, the dreaded figure labelled 'Anarchist'. The political radical is set up as the foil against which comforting self-descriptions can be maintained. Rather than merely reproducing this boundary work, however, the novels also evaluate its function, both for the respective political system and for their own narrative capabilities - and present the consequences incurred by the loss of an anarchist outside.
'Against Anarchy' is a thorough cultural historiography of the politically other and marginal. At the same time, the study demonstrates that close attention to the specific literary image of Anarchism allows for a re-evaluation of political thought beyond its immediate historical moment - a literary political theory in its own right.
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Content
- Intro
- Contents
- 1. Introduction
- 2. Political Literature and the Demarcation of Alterity
- 3. Demarcations of Culture and Anarchy in The Princess Casamassima
- 4. Residual Politics in The Secret Agent
- 5. Politics beyond Demarcation? Loss of Alterity in Conrad and Chesterton
- 6. Conclusion
- Sources
- Acknowledgments
- Index
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