
Adobe Premiere Pro CC For Dummies
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Content
- Intro
- Title Page
- Copyright Page
- Table of Contents
- Introduction
- About this Book
- How this book is organized
- Icons Used in the Book
- Beyond the book
- Part 1 Getting Familiar with the Adobe Premiere Pro Universe
- Chapter 1 Perusing the Premiere Pro Landscape
- Understanding What Premiere Pro Can Do
- Dissecting the Workspace
- Breaking down the interface
- Understanding the panels
- Getting around the workspace
- Having a Panel Discussion
- Knowing the Project panel
- Spending some time with the Timeline panel
- Making the most of the Source and Program Monitors
- Grasping the Effects and Effect Controls panels
- Feeling out the other panels
- Using the libraries
- Tooling Around the Toolbar
- Chapter 2 Understanding the Premiere Pro Workspace
- Identifying Your Needs
- Working with your computer platform
- Are you a Mac?
- Or are you a PC?
- Naming PC models is a little harder
- Operating the OS of each platform
- The systems are not that far apart
- Look before you leap on your PC
- Understanding Workstation Requirements
- Determining if your computer is right
- Windows
- Macintosh
- Breaking down the differences between Mac and PC
- Respecting the graphics card
- Needing GPU acceleration
- Random access memory
- More Hard Drive Space, Please
- Solid-state drives
- Conventional hard drives
- Not all hard drives are created equal
- Scratch disks
- Managing other computer components
- Keying into keyboard types
- Eeek, a mouse!
- USB-C is the new black
- Looking at Capture Gear
- Smartphone capture
- Top-of-the-line video cameras
- Broadcast video camera
- Consumer-level camcorders
- Digital single-lens reflex
- Point-and-shoot video options
- Mirrorless camera
- Going GoPro
- Card readers and capture devices
- Audio recorders
- Going to the videotape
- Defining Users
- Neophyte user
- Intermediate
- Professional photographer
- Video enthusiast
- Social media influencer
- Chapter 3 Adjusting Premiere Pro to Suit Your Needs
- Setting Up Your Workspace
- Subscribing and installing software
- Feeling welcome
- Using workspace presets
- Adding a clip description
- Customizing and saving your workspace
- Moving panels
- Saving your workspace
- Hiding workspace presets
- Using a second monitor
- Using your iPad as a second monitor
- Set up your iPad monitor
- Using a broadcast monitor
- Breaking down keyboard shortcuts
- Personalizing keyboard commands
- Using a skin
- Setting your scratch disk
- Pointing in the right direction
- Tweaking Program Settings
- Setting preferences
- Optimizing performance
- Fine-tuning your setup
- Customizing the Windows
- Doing the panel dance
- Sizing the monitor
- What's inside counts
- Adjusting the timeline
- Modifying the Project panel
- Freestyling with Freeform
- Understanding the Audio Mixers
- More on the sliders
- Audio Clip Mixer
- Part 2 Gathering Content
- Chapter 4 Sorting Out the Elements of Video Production
- Defining Digitized Video
- Binary refinery
- Digital Video
- High Definition is the flavor of the day
- Fawning over 4K
- Vying with VHS
- Explaining Digital Video Fundamentals
- Understanding how video works
- Dealing with aspect ratio
- Frame rates
- Understanding timecode
- Understanding formats
- Breaking down the best file types
- Capturing Great Video
- Controlling the camera
- Arranging the scene
- Understanding shot lingo
- Lighting the scene
- Waiting for the sun
- Communicating through light
- On-camera video lights
- The French call it mise-en-scène
- Chapter 5 Prepping Your Movie Projects
- Starting Your Project
- Creating a project
- Opening an existing project
- Tweaking the Settings
- Project settings
- Title safe margins
- Getting those preferences right
- Timeline preferences
- Auto Save preferences
- Playback preferences
- Scratching the scratch drive surface
- Making a Sequence
- Setting each sequence
- Making a custom setting
- Adjusting the Timeline
- Increasing the height of the video and audio tracks
- Fill the screen with a panel
- Chapter 6 Importing Media into a Project
- Starting Your Project
- Ingesting media
- Adobe Bridge
- Transferring from a card reader
- Editing directly from a card
- Capturing tape from a camcorder
- Downloading clips
- Importing media
- Adding music and audio clips
- Recording ADR
- Sound effects
- Adding a soundtrack
- Finding the right music
- Grabbing royalty-free music from the web
- Prepping still images for the timeline
- Organizing Media
- Creating bins
- Color coding your bins
- Tagging with metadata
- Understanding data types
- Move it on over
- Entering data
- Bins versus tags
- Part 3 Editing Your Masterpiece
- Chapter 7 Preparing Your Video for Editing
- Getting the Lowdown on Your Clips
- Analyzing clip details
- Keeping bins lean and clean
- Playing clips smoothly
- Altering playback resolution
- Knowing how far can you go
- Changing playback resolution
- Working the In and Out Points
- Setting In and Out points
- Using markers
- More than a bookmark
- Types of markers
- Making your mark
- The Markers panel
- Modifying Clips
- Scrubbing through the clip
- Using keys
- Using the arrow keys
- Marking the scrubbed clip
- Adjusting clip duration
- Changing speeds
- Rate Stretch tool
- Here's how to use it
- Reversing the action
- Understanding Clip/Speed Duration
- Rippling through the Ripple tools
- Ripple Edit tool
- The Rolling Edit tool
- Chapter 8 Editing in the Timeline
- Managing Your Sequence
- Populating the timeline
- Adding clips
- Backing it up a bit
- Moving clips
- Dragging clips into the timeline
- Adding clips through the Program panel
- Source Patching and Targeting
- What you drag isn't always what you get
- Fine Tuning Your Clips
- Trimming clips
- Handling enough clip frames to trim
- Naming clips
- Expanding to see waveforms
- Freezing frames
- Choosing Insert Frame Hold Segment
- Advanced Timeline Tricks
- More advanced clip movement
- Using the Track Select tool
- Overwrite a clip with an adjacent clip
- Considering the three-point edit
- Back-timing edits
- Trying a four-point edit
- Making the right choice
- Chapter 9 Transitioning between Clips
- Choosing Effective Transitions
- Perusing the transition palette
- Why do you need transitions?
- Grasping Transition 101
- Setting default transitions
- Apply default transitions
- Controlling transitions
- Using clip handles
- Advanced Transition Techniques
- Planning for your transitions
- The one-sided transition
- Differentiating transitions in the timeline
- Changing and deleting transitions
- Copying and pasting transitions
- Plug in to your transitions
- Chapter 10 Finishing Your Edited Video
- Exercising Video Correction
- Fixing exposure issues
- Tweaking those tones
- Adjusting color
- Cropping to fill the frame
- What can you do about it?
- Correcting Color and Tone
- Grasping Lumetri Color
- Understanding the Lumetri Color Landscape
- Adjusting tone
- Making a quick correction
- Codec limits
- Using color for style
- Matching color in the scene
- Using Video Scopes
- Accessing the scopes
- Different scopes for different folks
- Defining the "scope" of terms
- Exploring Some Advanced Techniques
- Making adjustment layers
- Making an informed decision
- Using Comparison view
- Removing a color cast
- Adding punch to the clip
- Quickly correct luminance
- Color correction with an Adjustment Layer
- Chapter 11 Constructing the Video Composite
- Understanding Compositing
- Layering clips
- Adjusting opacity to reveal
- Messing with opacity
- Using the Opacity and Blend modes
- Striking the right balance between clips
- Let's look at the Blend modes
- Introducing the Blend modes
- Group 1: The most basic
- Group 2: The subtractive
- Group 3: Increasing density
- Group 4: Making a difference
- Group 5: The HSL category
- Applying a Blend mode to an adjustment layer
- Transform effect and adjustment layers
- Merging clips in a nest
- Working with the nested clip
- Understanding alpha channels
- Creating an image mask
- Working with Keyframes
- How keyframes work
- Keyframing in action
- Compositing with Special Effects
- Keen on green screen
- Blue too for chroma
- Shooting your very own chroma key
- Putting your green-screen composite together
- Fine-tuning your key
- Layering video
- Making clips side-by-side
- Chapter 12 Choosing Cool Effects for Your Movie
- Understanding Effects
- Enhancing the look of your video
- Improving the scene with Lighting Effects
- Controlling Lighting Effects
- Breaking down light types
- Scaling video
- Cropping video
- Making Corrections
- Dealing with shaky footage
- Understanding Warp Stabilization
- Warp Stabilization settings
- Blurring video
- Using Blur under a still image
- Making video sharper
- Creating a mosaic
- Removing effects
- Adding a timecode
- Playing with Your Clips
- Flipping video
- Changing speeds
- Time lapsing your video
- Trying Turbulent Displace
- Chapter 13 Working with Audio
- Understanding Your Audio Needs
- Sound matters
- Defining great sound
- Adjusting audio levels
- Mixing audio
- Get those levels right
- Simplifying varying audio levels
- Beginning with Recording the Audio
- Considerations for capturing audio
- Be aware of sound on the scene
- Working with Audio in Your Movie
- Linking and unlinking tracks
- Unlinking a track
- Re-linking clips
- Working with separate tracks
- Navigating the Essential Sound Panel
- Using the Essential Sound panel
- Working with audio tracks in the Essential Sound panel
- Organization is key
- Assigning audio track roles
- Delving into the Dialogue presets
- Looking into the Music option
- Effecting the SFX track
- Adjusting Ambience
- Making voices sound better
- Chapter 14 Dazzling with Titles and Graphics
- Understanding Titles and Motion Graphics
- Using the Text Tool
- Navigating the Essential Graphics panel
- Browsing the templates
- Using Text to Speech
- Creating a transcript
- Creating Captions
- Understanding Create Captions Controls
- Editing text
- Editing Graphics
- Searching for a graphic is easy
- The Browse section
- The Edit section
- Putting words on the screen
- Breaking down text adjustments
- Replacing fonts
- Create graphics
- Adjusting graphics
- Making a text layer
- Creating titles
- Adding static titles
- Title Safe and Action Safe
- Making a graphic title
- Smartening up your movie
- Crediting your movie
- Arranging your opening movie credits
- Closing credits
- Adding credits to your movie
- Making your own rolling credits
- Identifying a subject with a lower third
- Tweaking fonts
- Making a (simple) motion title
- Part 4 Finishing Off Your Project
- Chapter 15 Finalizing Your Project
- Being Your Own QC Monitor
- Watching and studying
- Assuring clip continuity
- Matching audio levels
- Checking graphics and titles
- Previewing the Timeline
- Casting a critical eye
- Having gap insurance
- Watching on an external monitor
- Viewing the meters
- Listening on speakers
- Being a good listener
- Hearing with your eyes closed
- Fine-Tuning Video for Export
- Pre-export process
- Being efficient
- Bumping up the preview quality
- Avoiding crashes
- Is there enough disk space?
- Clearing media cache
- Checking the timeline closely
- Dividing the export
- Relinking media
- Grabbing freeze frames
- Here's how to make a freeze frame
- Exporting a JPEG sequence
- Chapter 16 Kicking Out Your Movie
- Exporting Your Movie
- Familiarizing yourself with the Export panel
- Choosing a format
- Introducing the presets
- Understand the top video file extensions
- Popular file formats
- Checking the Summary
- The lower section of the Export panel
- Bitrate Setting
- Checking the right boxes
- Knowing the difference between file containers and codecs
- Setting output names for delivery
- Choosing the Right File Format for Your Needs
- Exporting uncompressed video as a master file
- Pre-export checklist
- Exporting a portion of the movie
- Pointing the file to a folder
- Saving settings for future exports
- Converting outside Premiere Pro
- Chapter 17 Spanning the Globe with Your Movie
- Showing Your Movie
- On your computer
- Watching on a smartphone
- Tablet viewing
- Projecting on a screen
- Playing on a home theater
- Cast a movie on your iPhone or iPad
- A warning about intellectual property
- Using the World's Largest Screening Room
- Uploading your movie
- Sharing videos on YouTube
- Sharing video on Vimeo
- Using Social Media
- Showing your movie on Facebook
- Twitter video is meant to be short
- Twitter video upload requirements
- TikTok
- Sharing your Movie
- WeTransfer
- iCloud
- iCloud Drive
- Dropbox
- Hightail
- Google Drive
- Going Old School
- Burning to DVD
- DVD creation software
- Export to tape
- Color bars
- Adding a good leader
- Part 5 The Part of Tens
- Chapter 18 Ten Ideas for Making Fantastic Movies
- Making Your Own Brady Bunch Opening (Or Something Like It)
- Exploiting Montage Editing
- Showing Restraint While Using Plug-ins
- Transforming Your Movie to Film Noir
- Making Still Images Move (The Ken Burns Effect)
- Adding a voiceover
- Producing Your Own News Segment
- Using Transitions to Help Tell the Story
- Applying a Filter Over Your Movie
- Having Fun by Reversing Motion
- Chapter 19 Ten Essential Premiere Pro Plug-Ins
- Knocking Out Your Movie with the Cine Punch Bundle
- Roll with Motion Array Premiere Pro Transitions
- Making Your Still Photo "Pop" Using Photo Montage 2
- Producing the Look of Film Stock with Film Convert Nitrate
- Emulating Star Wars Opening Titles with the Free Star Titler
- Sweetening Up Audio with Accusonus ERA 5 Bundle
- Prettying Up Your Subject's Skin Tones with Make Up Artist 3
- Adding Pizazz between Shots with Andy's Swish Transitions
- Making Seamless Time-Lapse and Slow-Motion Video with Flicker Free
- Simulating Beams of Light Coming through Portals with Light Rays
- Chapter 20 Ten Tips for Making Video Easier to Edit
- Shooting Movies "Horizontally" with Your Smartphone
- Producing Better Video to Edit by Keeping It Steady
- Shooting to Edit for Quicker Turnaround
- Taking Advantage of Natural Light
- Handling Each Shot for Your Edit
- Seeing True Video Quality with a Calibrated Monitor
- Adding Drives for Scratch Space
- Ditching the Pinhole for a Microphone
- Using an Audio Recorder for Great Sound
- Converting Master Files into the Right Format
- Index
- EULA
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