Moral Spectatorship
Technologies of Voice and Affect in Postwar Representations of the Child
1st Edition
Published on 18. March 2008
298 pages
978-0-8223-8925-5 (ISBN)
Description
Lisa Cartwright contributes to feminist film theory by developing a new psychoanalytic theory of spectatorship and human subjectivity.
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Lisa Cartwright
Moral Spectatorship
Technologies of Voice and Affect in Postwar Representations of the Child
Book
03/2008
Duke University Press
€135.50
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Lisa Cartwright
Moral Spectatorship
Technologies of Voice and Affect in Postwar Representations of the Child
Book
03/2008
Duke University Press
€34.00
Shipment within 10-20 days
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Lisa Cartwright is Professor of Communication and Science Studies and a faculty member in Critical Gender Studies at the University of California, San Diego. She is the author of Screening the Body: Tracing Medicine's Visual Culture, a coauthor of Practices of Looking: An Introduction to Visual Culture, and a coeditor of The Visible Woman: Imaging Technologies, Gender and Science.
Content
Acknowledgments ix
Introduction: Spectatorship, Affect, and Representation 1
1. Moral Spectatorship: Rethinking Identification in Film Theory 11
2. The (Deaf) Woman's Film and the Quiet Revolution in Film Sound: On Projection, Incorporation, and Voice 51
3. "A Child Is Being Beaten": Disorders of Authorship, Agency, and Affect in Facilitated Communication 157
Conclusion: On Empathy and Moral Spectatorship 229
Notes 241
References 255
Index 281
Introduction: Spectatorship, Affect, and Representation 1
1. Moral Spectatorship: Rethinking Identification in Film Theory 11
2. The (Deaf) Woman's Film and the Quiet Revolution in Film Sound: On Projection, Incorporation, and Voice 51
3. "A Child Is Being Beaten": Disorders of Authorship, Agency, and Affect in Facilitated Communication 157
Conclusion: On Empathy and Moral Spectatorship 229
Notes 241
References 255
Index 281
