
ASHE
Description
Alles über E-Books | Antworten auf Fragen rund um E-Books, Kopierschutz und Dateiformate finden Sie in unserem Info- & Hilfebereich.
Having distinguished themselves across such disciplines as Anthropology, Art, Music, Literature, Dance, Philosophy, Religion, and Theology and conjoined to construct a defining approach to the study of Aesthetics throughout the African Diaspora with the Humanities at the core, this collection of essays will break new ground in the study of Black Aesthetics.
This book will be of great interest to scholars, practitioners, and students interested in tracing African heritage identities throughout the African Diaspora through close examination of a variety of discourses directly connected to expressive elements of cultural production and religious rituals.
More details
Other editions
Additional editions


Persons
Pellom McDaniels III was the curator of African American collections in the Stuart A. Rose Manuscript, Archives, and Rare Book Library at Emory University, USA.
Michael D. Harris is an arts scholar and artist who has exhibited nationally and internationally, is represented in public and private collections including those of David Driskell, Hampton University Museum, Howard University, The Paul Jones Collection at the University of Delaware and the University of Alabama, The Philadelphia Museum of Art, and many others.
Content
Paul Carter Harrison
INTRODUCTION
Theophus "Thee" Smith...THE GLOBALIZATION OF AFRICANA AESTHETICS
PART I: ASHE' CONCEPTUAL FRAME
FRONTSIEPIECE: Wangechi Mutu, Riding Death in my Sleep
Ch 1. Pellom McDaniels....LIKE ECHOS ACROSS THE CONTINUUM: WANGECHI MUTU'S
NEW HORIZONS IN AFRO-COSMOLOGY
Ch 2. Clyde Taylor...SALT PEANUTS: SOUND AND SENSE IN AFRICAN/AMERCAN ORAL/MUSICAL CREATIVY
Ch 3. Rowland Abiodun.........ASHE': THE EMPOWERED WORD MUST COME TO PASS
Ch 4. Maria E. Hamilton Abegunde...SEEING AS A RITUAL FOR A GOOD DEATH: THE SPIRITUAL CONSTRUCTION OF ALAIN GOMIS' FILM, TEY
PART II: ASHE' CULTURAL FRAME
FRONTSIEPIECE: Eric Waters, Medicine Man
Ch 5. Michael D. Harris...........ERIC WATERS: CAPTURING THE CULTURE IN PHOTOS
Ch 6. Michael McMillan...............DUB IN THE FRONT ROOM: MIGRANT AESTHETICS OF
THE SACRED AND SECULAR
Ch 7. Oliver Lee Jackson......SENSIBILITY AND THE AFRICAN CONTINUUM
Ch 8. Marta Moreno Vega..........I WILL NOT BE ERASED
PART III: ASHE' AND ARTS DISCIPLINES
FRONTIESPIECE: Oliver Lee Jackson, UNTITLED (5.21.95)
Ch 9. Paul Carter Harrison.....AESTHETICS OF BEAUTY: IN AN AFRICANA MODE
Ch 10. Michael D. Harris..........UNDONE: BOTTLES, TREES, CHARMS, & FLASHING SPIRITS
Ch 11. Gregory Tate...........BEBOP, HIP HOP AND CONDUCTIVITY
GLOSSARY
Arturo Lindsay........ASHE AT THE CROSSROADS: Aesthetic Criteria, Glossary of Terms, and Bibliography
BIOGRAPHIES
System requirements
File format: ePUB
Copy protection: Adobe-DRM (Digital Rights Management)
System requirements:
- Computer (Windows; MacOS X; Linux): Install the free reader Adobe Digital Editions prior to download (see eBook Help).
- Tablet/smartphone (Android; iOS): Install the free app Adobe Digital Editions or the app PocketBook before downloading (see eBook Help).
- E-reader: Bookeen, Kobo, Pocketbook, Sony, Tolino and many more (not Kindle).
The file format ePub works well for novels and non-fiction books – i.e., „flowing” text without complex layout. On an e-reader or smartphone, line and page breaks automatically adjust to fit the small displays.
This eBook uses Adobe-DRM, a „hard” copy protection. If the necessary requirements are not met, unfortunately you will not be able to open the eBook. You will therefore need to prepare your reading hardware before downloading.
Please note: We strongly recommend that you authorise using your personal Adobe ID after installation of any reading software.
For more information, see our ebook Help page.