
Performer Training Reconfigured
Description
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Frank Camilleri puts forward the 'post-psychophysical' as a more extended form of psychophysical discussion and practice that emerged and dominated in the 20th century. The 'post-psychophysical' updates the concept of an integrated bodymind in various ways, such as the notion of a performer's bodyworld that incorporates technology and the material world. Offering invaluable introductions to a wide range of theories around which the book is structured - including postphenomenological, sociomaterial, affect and situated cognition - this volume provides readers with an enticing array of critical approaches to training and creative processes.
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Person
Content
Note on Text
Introduction
Assemblage Theory
Problematising Presence
Relations of Exteriority
'Other Way Around' Perspectives
Talking Training (or a Literature Review)
Transitioning to Posthuman Perspectives
New Fields of Study
Crossroads of Psychophysicality
Chapter 1. Towards Post-Psychophysical Perspectives
Instrumental Perceptions
Enabling Technology
Things that Matter
Man and Machine
'Available Time' Hypothesis
Project Hybrid
Chapter 2. Experiencing Bodyworld: Postphenomenological Perspectives
Conventional Psychophysicality
Introducing Ihde
Postphenomenology
Multistabilities in Performance
Interrelational Ontology
Hybrid Relations, Embodied Hermeneutic
Other Relations
Bodies (Merleau-Ponty) to Bodies (Zarrilli) to Bodies (Ihde)
Suggestions for Practice
Chapter 3. Of Materiality and Dynamic Hybrids: Sociomaterial Perspectives
Constructing Latour
Dynamic Relations of Social Networks
Dynamic Hybrids
Trinity of Actants
Hybrids in Performance
Ideological and Ethical Approaches
Material and Immaterial Labour
Future Trainings
Hyphenated Perspectives for Hyphenated Practices
Tips for Practice Analysis
Chapter 4. Unfolding Materialities of Practice: Methodological Perspectives
Working Art
Ecology of Connected Elements in Work Practices
A Methodological Framework
Case Study: Practitioner-Academic Hybrid Practice
Towards a Blended Methodology
Tips for Practice Analysis
Chapter 5. Incorporeal Materiality: Perspectives of Affect
Perspective of Affect
Intensities of Affect
Materialities of the World Unite
Ecologies of Affect for Performance
Affective Logic, Habit, and Technique
Mime and the Punctuation of Movement
Post-Psychophysical Implications of Affect
Suggestions for Practice
Chapter 6. Tuning to the Post-Psychophysical Dance: Perspectives from Situated Cognition
Fritz Writing Fritz
Re(sonant)-Cognition and On-the-line Embodiment
Sensorimotor Contingencies
Fritz Observing Ryszard
Body Image, Body Schema
Sensorimotor Subjectivity
Sensorimotor Exigencies and Affective Framing
Technology and Objects: Expansion, Extension, Incorporation
Incorporated Extension
Epistemic Action
Conclusion
Suggestions for Practice
Glossary of Terms
Notes
Bibliography
Index
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