Medieval Affect, Feeling, and Emotion
Published on 3. April 2019
266 pages
978-1-108-63485-4 (ISBN)
Description
Representations of feeling in medieval literature are varied and complex. This new collection of essays demonstrates that the history of emotions and affect theory are similarly insufficient for investigating the intersection of body and mind that late Middle English literatures evoke. While medieval studies has generated a rich scholarly literature on 'affective piety', this collection charts an intersectional new investigation of affects, feelings, and emotions in non-religious contexts. From Geoffrey Chaucer to Gavin Douglas, and from practices of witnessing to the adoration of objects, essays in this volume analyze the coexistence of emotion and affect in late medieval representations of feeling.
Reviews / Votes
'... excellent collection ...' Barbara Zimbalist, Studies in the Age of ChaucerMore details
Series
Language
English
Place of publication
Cambridge
United Kingdom
Target group
Professional and scholarly
Illustrations
Worked examples or Exercises; 4 Halftones, black and white
File size
3,76 MB
ISBN-13
978-1-108-63485-4 (9781108634854)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Glenn D. Burger | Holly A. Crocker
Medieval Affect, Feeling, and Emotion
Book
03/2021
Cambridge University Press
€40.00
Shipment within 15-20 days
Glenn D. Burger | Holly A. Crocker
Medieval Affect, Feeling, and Emotion
Book
04/2019
Cambridge University Press
€122.50
Shipment within 15-20 days
Persons
Content
Introduction Glenn D. Burger and Holly A. Crocker; 1. Weeping like a beaten child: figurative language and the emotions in Chaucer and Malory Stephanie Trigg; 2. Imagining Jewish affect in the Siege of Jerusalem Patricia DeMarco; 3. Engendering affect in Hoccleve's Series Holly A. Crocker; 4. Becoming one flesh, inhabiting two genders: ugly feelings and blocked emotion in the Wife of Bath's Prologue and Tale Glenn D. Burger; 5. Accounting for affect in the Reeve's Tale Brantley L. Bryant; 6. Affect machines Sarah Salih; 7. Witnessing and legal affect in the York Trial plays Emma Lipton; 8. Affecting forms: theorizing with The Palis of Honoure Anke Bernau; Afterword: three letters Anthony Bale.
