Critical and Creative Research Methodologies in Social Work
Published on 1. August 2015
250 pages
978-1-4724-2583-6 (ISBN)
Description
Social work research is concerned with complex social issues closely connected to communities of people who are marginalized and oppressed. This volume develops critical and creative research methodologies that place questions of social justice at their centre and take innovative approaches to collecting, analysing, interpreting and presenting research data.
The first section of the book examines textual data produced from an array of methodologies focused on the spoken and/or written word. These approaches allow those who are often silenced to speak by providing space and time to capture memory and meanings that may not come to light in a time driven structured research method like an interview or a questionnaire.
The second section of the book discusses visual methods, including an examination of historical artefacts like, photographs and objects, and participant engagement with art, specifically clay sculpture and drawings.
Both sets of methods examine the concept of `time', that is, how we understand time, as in our past memories, how we develop relationships and knowledge over time. These creative and critical methods provide new insights into ways of undertaking social research in social work which captures the complexity of social experiences, problems and meanings that are, more often than not, embedded in time and place.
The first section of the book examines textual data produced from an array of methodologies focused on the spoken and/or written word. These approaches allow those who are often silenced to speak by providing space and time to capture memory and meanings that may not come to light in a time driven structured research method like an interview or a questionnaire.
The second section of the book discusses visual methods, including an examination of historical artefacts like, photographs and objects, and participant engagement with art, specifically clay sculpture and drawings.
Both sets of methods examine the concept of `time', that is, how we understand time, as in our past memories, how we develop relationships and knowledge over time. These creative and critical methods provide new insights into ways of undertaking social research in social work which captures the complexity of social experiences, problems and meanings that are, more often than not, embedded in time and place.
Reviews / Votes
`I love this book. It is just what I and my PhD students have been waiting for. Engaging and scholarly, this book challenges social workers to move beyond conventional models of research to explore critical and creative research methodologies to promote social justice. The practicalities of writing ethnography, the importance of situating oneself and the value of reflexivity are all emphasized, alongside innovative ways of using arts-based methods, including photography, stories, film, sculpture and drawing, to empower research participants. It is a wonderful anthology.'Bob Pease, Deakin University, Australia
`Interest in the development of creative practices in research has grown apace in recent years. This stunning book engages with a range of innovative techniques grounding them in the strong methodological orientation of social work's social justice principles. A scholarly collection that significantly advances the field of social work research and is a must buy.'
Charlotte Williams, RMIT University, Australia
`This unique book presents new approaches to social work research which in their creativity challenge the very way in which we think of research methodology. The authors share their experiences in their multifaceted studies in and about social work. The insights of this book go far beyond individual topics as the creative and critical methods challenge the present rationales of academia. The well-argued and wise views of this book should not be ignored by anyone interested in knowledge in social work.'
Tarja Poesoe, University of Tampere, Finland
More details
Edition
New edition
Language
English
Place of publication
Farnham
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
Professional and scholarly
Edition type
New edition
Illustrations
Includes 12 b&w illustrations
File size
3,82 MB
ISBN-13
978-1-4724-2583-6 (9781472425836)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Book
07/2015
1st Edition
Routledge
€206.40
Shipment within 10-20 days
Person
Lia Bryant is an Associate Professor in the School of Psychology, Social Work and Social Policy at the University of South Australia. She supervises several doctoral students, teaches undergraduate research courses including applied research for honours students and a post-graduate subject focused on innovation in research. She is a sociologist and social worker who has published widely on gender, sexuality and embodiment in the rural, with an ongoing interest in research methodologies. Dr Bryant has authored Gender and Rurality with Barbara Pini, and the edited international collection on Sexuality, Rurality and Geography with Andrew Gorman-Murray and Barbara Pini. She has also published in numerous journals including Journal of Rural Studies, International Journal of Qualitative Research, Sociologia Ruralis, Australian Feminist Studies and Human Relations.
Content
Contents: Introduction: taking up the call for critical and creative methods in social work research, Lia Bryant. Part I Narrative and Action: Transforming Social Work Research and Practice: Storytelling as a research method: Iraqi women narrating their life stories, Fatin Shabbar; Investigating the impact of sexual violence through ethnographic longitudinal reflection: a qualitative interviewing technique for survivors of trauma, Andrea Nikischer; Communicative methodology of research and Romani migrant women in Spain: a process of social change, Aitor Gomez and Ariadna Munte; Ngapartji Ngapartji - narratives of reciprocity in `yarning up' participatory research, Deirdre Tedmanson; Reflexivity as autoethnography in indigenous research, Amy Parkes. Part II Creating Critical Exchanges in Social Work Using Visual and Textual Methods: Opening the lens to see, feel and hear: using autoethnographic textual and visual methods to examine gender and telephony, Lia Bryant and Mona Livholts; Imagine transfigurement: the chapter exhibition as a critical and creative space for knowledge in social work and media studies, Mona Livholts; Digital ethnography: research methods for the study of online communities, Danielle May; Creative endeavours in eating disorder research, Lisa Hodge; Touching on emotions: using clay work in a context of relational empowerment to investigate sensitive issues, Fiona Buchanan; Arts based methods in social work education and research as critical method, Ephrat Huss, Dorit Segal-Engelchin and Roni Kaufman; Conclusion: social creativity and social change, Lia Bryant. Index.
