
On The Figure In General And The Body In Particular
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Senses of Cinema Each text's structure emerges as a necessary reflection of its subject matter and position within the broader narrative arc of the collection. On the Figure is relevant today because in the middle of life's journey, if one is to venture into the Hell, Purgatory, or (too rarely) Paradise of contemporary cinema, they would do well to choose Nicole Brenez as their Virgil, guiding them and helping to decipher the allegorical meanings of works too often understood only in their literal sense. -Senses of Cinema "This is the most valuable volume by a French cinephile in English to have appeared since the translations of Andre Bazin and Serge Daney-a book that I believe filmgoers will still be learning from half a century from now. Brenez's originality is as stupefying as her erudition." -Jonathan Rosenbaum, American film critic, USA. "At last, one of the true classics of 1990s film theory and analysis is available in English, superbly translated. This influential book redefines our formal, cultural, and historical understanding of cinema and related visual arts. Bridging popular genres and avant-garde experiments, it offers an open, speculative approach. An essential reference."-Adrian Martin, Monash University, Australia. "This dazzling collection of essays, which brim with ideas and insights in relation to a wide variety of films and filmmakers, confirmed Nicole Brenez as one of the most original and exciting writers on cinema of her generation. It is wonderful that it is now available to an anglophone readership." -Michael Witt, Professor of Cinema, University of Roehampton, UK.More details
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