
Innovation in Audio Description Research
Description
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The first section maps out the field, discusses key concepts in relation to new developments and illustrates their application; the second part focuses on new audiences for AD, whilst the third part covers the impact of new technologies. Throughout this book contributors focus on methodological innovation, regarding audio description as an opportunity to engage in multi-dimensional linguistic and user-experience analysis, as it intersects with and contributes to a range of other research disciplines.
This book is key reading for researchers, advanced students and practitioners of audiovisual translation, media, film and performance studies, as well as those in related fields including cognition, narratology, computer vision and artificial intelligence.
Reviews / Votes
A well-balanced volume providing a timely reflection on how far AD has come in the past decade, both in terms of its practice, its contexts, and as a field of research. Impressive in breadth, this will doubtlessly be a baseline for the field in years to come.Jan-Louis Kruger, Macquarie University, Australia
This volume mirrors new and exciting developments in the robustly developing area of audio description. It is a much needed and very useful guide to all the latest technologies, new applications and new audiences.
Agnieszka Chmiel, Adam Mickiewicz University, Poland
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Persons
Kim Starr is a Research Fellow at the Centre for Translation Studies, University of Surrey.
Content
Introduction: Mapping new horizons in audio description research
Chapter 1: Immersion, presence and engagement in audio described material
Chapter 2: New approaches to accessibility and audio description in museum environments
Chapter 3: Easier audio description: exploring the potential of Easy-to-Read principles in simplifying AD
Chapter 4: Film language, film experience and film interpretation in a reception study comparing conventional and interpretative audio description styles
Chapter 5: Audio description 2.0: re-versioning audiovisual accessibility to assist emotion recognition
Chapter 6: Towards a user specification for immersive audio description
Chapter 7: Mainstreaming audio description through technology
Chapter 8: Comparing human and automated approaches to visual storytelling
Index
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