
The Arts of Logistics
Description
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With chapters on art produced from technologies including ships, barrels, containers, and drones, Boyle narrates the long history of art's connection to logistics, beginning in the transatlantic slave trade and continuing today in Silicon Valley's dreams of automation. The global reach of the artists considered reflects the geographies of supply chain capitalism itself. In taking stock of how performance, sculpture, and popular culture are entangled in trade and racialized labor regimes, Boyle profiles influential work by artists such as Christo and Allan Kaprow alongside that of contemporary figures including Cai Guo-Qiang and Selina Thompson. This incisive study demonstrates that art and logistics are linked by the infrastructures and violence that keep supply chains moving.
Reviews / Votes
"This is the book about logistics and art that we have been waiting for. Both broad and deep enough to do justice to its topic, it is engagingly written and a pleasure to read." - Susan Zieger, University of California Riverside"This book is by far one of the most brilliant books in a crop of very brilliant books on logistics. It is original, beautifully written, gorgeously illustrated, and it fizzes and pops with imagination, righteous outrage, hefty analysis, and humor." - Laleh Khalili, University of Exeter
"A brilliant examination of the logistical mode of artistic production. This is aesthetic theory down at the docks and across the sea - in solidarity, antagonistic, yet alive to the repurposing of logistical infrastructures within an artistic imagination." - Ned Rossiter, Western Sydney University
"This book, finally, presents a clear-eyed and frank assessment of the real political affordances and potential of artistic production at present, weighed against logistical capitalism and its ruthlessly pragmatic 'politics of operations', which are nothing if not efficient. It is underpinned by, and subterraneously develops, a theory of art's position in the constellation of political forces in the present. In this regard, it is an exemplary and relevant study for anyone interested in thinking about the intersections between art and the capitalist mode of production today, beyond the admittedly specialised subject of artistic production's relation to supply chains." - Steyn Bergs, Art History
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Content
Prologue: Ties That Bind
Introduction: Part and Parcel
1. The Ship: Salvage Spectacles
2. The Oil Barrel: Supply Chain Pipedreams
3. The Shipping Container: Levers of Dispossession
4. The Drone: Last-Mile Gimmicks
Epilogue: The Blockade
Notes
Index
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File format: PDF
Copy-Protection: Adobe-DRM (Digital Rights Management)
System requirements:
- Computer (Windows; MacOS X; Linux): Install the free reader Adobe Digital Editions prior to download (see eBook Help).
- Tablet/smartphone (Android; iOS): Install the free app Adobe Digital Editions or the app PocketBook before downloading (see eBook Help).
- E-reader: Bookeen, Kobo, Pocketbook, Sony, Tolino and many more (only limited: Kindle).
The file format PDF always displays a book page identically on any hardware. This makes PDF suitable for complex layouts such as those used in textbooks and reference books (images, tables, columns, footnotes). Unfortunately, on the small screens of e-readers or smartphones, PDFs are rather annoying, requiring too much scrolling.
This eBook uses Adobe-DRM, a „hard” copy protection. If the necessary requirements are not met, unfortunately you will not be able to open the eBook. You will therefore need to prepare your reading hardware before downloading.
Please note: We strongly recommend that you authorise using your personal Adobe ID after installation of any reading software.
For more information, see our eBook Help page.