
Script Culture and the American Screenplay
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Content
- Cover
- CONTENTS
- PREFACE
- Part 1: Foundations
- 1. Form and Function: The Evolution of the Screenplay
- 2. Parallel Forms: The Architecture of Performance
- 3. Aristotle, Aesthetics, and Critical Approaches to the Screenplay
- Part 2: Critiques
- 4. Dialogue as Action: Discourse, Dialectics, and the Rhetoric of Capitalism in David Mamet's Glengarry Glen Ross
- 5. Scripting Gender, Representing Race
- 6. The Screenplay Adaptation: Huston, Hammett, and the Thing(s) from Another World
- 7. The Original Screenplay and Aesthetic Commerce: Natural Born Killers
- WORKS CITED
- INDEX
- A
- B
- C
- D
- E
- F
- G
- H
- I
- J
- K
- L
- M
- N
- O
- P
- R
- S
- T
- U
- V
- W
- Y
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