
The Hidden Plot
Description
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This collection of passionate and polemical essays deals with drama from its origin in the human mind to its use in history and the present. It explains the hidden working of drama behind the state, religion, family, crime and war. It is a revolutionary understanding of the human world with drama at its centre. A ruthless critique of the theatre's present state and its trivialisation as entertainment by the media, it reveals and sees a radical new theatre for the future. Edward Bond is internationally recognised as a major playwright and a leading theoretician of drama. He is the most performed British dramatist abroad. This is his latest and most important account of the meaning and practice of theatre as we start a new millennium.
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Content
- Cover
- Contents
- Letter to Tom Erhardt
- A Writer's Story
- Our Story
- Language
- Modern Drama
- Drama
- Le Théâtre de la Cité
- Letter on Translation
- Pearl White: Notes on the TE of the Text
- The Site
- Letter on Design
- I Wrote a Poem
- Notes on Theatre-in-Education
- Oranges
- Rough Notes on Justice
- Rough Notes on Intolerance
- Notebook, 31 January 1996
- The Eschatology of Bread: Christ and the Bearded Lady (Notebook, 3 August 1995)
- Social Madness
- William Shakespeare's Last Notebook
- The Labyrinth
- The Faustian Trap
- The Reason for Theatre
- Lear War
- Notes on Coffee for Le Théâtre National de la Colline
- Letter on Brecht
- The Seventh of January Sixteen Hundred and Ten
- People Saturated with the Universe (Notes on The Crime of the Twenty-first Century for Le Théâtre de la Colline)
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