
Revitalizing History
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With a focus on African American art educators and women art educators, Vernon Press is delighted to announce an upcoming text titled "Revitalizing History: Recognizing the Struggles, Lives, and Achievements of African American and Women Art Educators" to be published in Spring 2017. The text is a result of the papers presented at the recent Brushes with History Conference held in November 2015 at Teachers College, Columbia University in New York, NY and will be edited by Paul Bolin (University of Texas at Austin) and Ami Kantawala (Teachers College, Columbia University).
Historical inquiry forms the foundation for much research undertaken in art education. While traversing paths of historical investigation in this field we may discover undocumented moments and overlooked or hidden individuals, as well as encounter challenging ideas in need of exploration and critique. In doing so, history is approached from multiple and, at times, vitally diverse perspectives. Our hope is that the conversations generated through this text will continue to strengthen and encourage more interest in histories of art education, but also more sophisticated and innovative approaches to historical research in this field.
The overarching objective of the text is to recognize the historical role that many overlooked individuals-particularly African Americans and women-have played in the field of art education, andacknowledge the importance of history and historical research in this digital age. This text opens up possibilities of faculty collaborations across programs interested in history and historical research on a local, national, and international level. By assembling the work of various scholars from across the United States, this text is intended to elicit rich conversations about history that would be otherwise beyond what is provided in general art education textbooks.
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Content
CONJURING HIDDEN HISTORIES: AFRICAN AMERICAN ART EDUCATION AT HAMPTON INSTITUTE Jessica Baker Kee
THE DETRIMENTAL EFFECTS OF McCARTHYISM ON AFRICAN AMERICAN ART INSTITUTIONS Debra Hardy
THE MUSEUM OF MODERN ART'S DEPARTMENT OF FILM: HOW EDUCATIONAL FILM PROGRAMS RESPONDED TO SOCIAL AND CULTURAL CHANGES IN THE UNITED STATES Rebecca Dearlove
THE HIGHWAYMEN'S STORY:LANDSCAPE PAINTING IN THE SHADOW OF JIM CROW Kristin Congdon
(RE)TELLING STORIES IN ART MUSEUMS AS A WARTIME SERVICE, 1917-1918 Allison Clark
MAKING PLACE THROUGH MABEL SPOFFORD: ARCHIVAL MATERIALS, ASSEMBLAGES, AND EVENTS Christina Hanawalt & Sue Uhlig
LESSONS FROM DOROTHY DUNN: THE STUDIO AT SANTA FE INDIAN SCHOOL Elise Chevalier
MATTERS OF TASTE, MEASURES OF JUDGMENT: THE MCADORY ART TEST Mary Hafeli
THE FABRIC OF OUR LIVES: DISCOVERING ART EDUCATION HISTORY THROUGH PLACE, PUPPETS, AND PEDAGOGY Christina Bain
LIFE AND WORK OF HELEN GARDNER: EXAMINING ART THROUGH THE AGES Kirstie Parkinson
BECOMING A CURATOR OF MEMORIES: MEMORIALIZING MEMORY AND PLACE IN ART MAKING FOR ART EDUCATION Heidi Powell
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