
The "Good War" in American Memory
Description
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Bodnar's comprehensive study of the disagreements that marked the American remembrance of World War II in the six decades following its end draws on an array of sources: fiction and nonfiction, movies, theater, and public monuments. He identifies alternative strands of memory-tragic and brutal versus heroic and virtuous-and reconstructs controversies involving veterans, minorities, and memorials. In building this narrative, Bodnar shows how the idealism of President Franklin Roosevelt's Four Freedoms was lost in the public commemoration of World War II, how the war's memory became intertwined in the larger discussion over American national identity, and how it only came to be known as the "good war" many years after its conclusion.
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Person
-D. Colt Denfeld, The Journal of America's Military Past
Content
Introduction
1. Wartime
2. Soldiers Write the War
3. "No Place for Weaklings"
4. Monuments and Mournings
5. The Split Screen
6. The Outsiders
7. The Victors
Conclusion
Postscript on Iraq
Notes
Selected Bibliography
Index
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