
Anatomy of Influence
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Content
- Cover
- Contents
- Praeludium
- THE POINT OF VIEW FOR MY WORK AS A CRITIC
- Literary Love
- Sublime Strangeness
- The Influence of a Mind on Itself
- SHAKESPEABE. THE FOUNDER
- Shakespeare's People
- The Rival Poet: King Lear
- Shakespeare's Ellipsis: The Tempest
- Possession in Many Modes: The Sonnets
- Hamlet and the Art of Knowing
- Milton's Hamlet
- Joyce . . . Dante . . . Shakespeare . . . Milton
- Dr. Johnson and Critical Influence
- THE SKEPTICAL SUBLIME
- Anxieties of Epicurean Influence: Dryden, Pater, Milton, Shelley, Tennyson, Whitman, Swinburne, Stevens
- Leopardi's Lucretian Swerve
- Shelley's Heirs: Browning and Yeats
- Whose Condition of Fire? Merrill and Yeats
- WHITMAN AND THE DEATH OF EUROPE IN THE EVENING LAND
- Emerson and a Poetry Yet to Be Written
- Whitman's Tally
- Death and the Poet: Whitmanian Ebbings
- Notes Toward a Supreme Fiction of the Romantic Self
- Near the Quick: Lawrence and Whitman
- Hand of Fire: Hart Crane's Magnificence
- Whitman's Prodigals: Ashbery, Ammons, Merwin, Strand, Charles Wright
- Coda
- Acknowledgments
- Credits
- Index
- A
- B
- C
- D
- E
- F
- G
- H
- I
- J
- K
- L
- M
- N
- O
- P
- Q
- R
- S
- T
- U
- V
- W
- X
- Y
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