
To All Appearances
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A brilliant, uncontainable, and chastening look at the rhetoric of critical theory in relation to performance and ideological practice, this is undoubtedly a book for the twenty-first century. It returns us, through all appearances, to the unavoidable question in art, in politics, in the society of the spectacle: what, after all, is the future of illusion?
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Review of the first publication:'...To All Appearances raises a number of important questions, for both theatrical practice and cultural theory.'
- Julie Adam, Border/Lines
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