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Content
- Cover
- Title Page
- Copyright
- Contents
- Acknowledgments
- Introduction: The Rhetoric of Film and Film Studies by David Blakesley
- Part One: Perspectives on Film and Film Theory as Rhetoric
- 1. Mapping the Other: The English Patient, Colonial Rhetoric, and Cinematic Representation by Alan Nadel
- 2. Rhetoric and the Early Work of Christian Metz: Augmenting Ideological Inquiry in Rhetorical Film Theory and Criticism by Ann Chisholm
- 3. Temptation as Taboo: A Psychorhetorical Reading of The Last Temptation of Christ by Martin J. Medhurst
- 4. Hyperrhetoric and the Inventive Spectator: Remotivating The Fifth Element by Byron Hawk
- 5. Time, Space, and Political Identity: Envisioning Community in Triumph of the Will by Ekaterina V. Haskins
- 6. On Rhetorical Bodies: Hoop Dreams and Constitutional Discourse by James Roberts
- Part Two: Rhetorical Perspectives on Film and Culture
- 7. Looking for the Public in the Popular: The Hollywood Blacklist and the Rhetoric of Collective Memory by Thomas W. Benson
- 8. Copycat, Serial Murder, and the (De)Terministic Screen Narrative by Philip L. Simpson
- 9. Opening the Text: Reading Gender, Christianity, and American Intervention in Deliverance by Davis W. Houck and Caroline J. S. Picart
- 10. From "World Conspiracy" to "Cultural Imperialism": The History of Anti-Plutocratic Rhetoric in German Film by Friedemann Weidauer
- Part Three: Perspectives on Films about Rhetoric
- 11. Rhetorical Conditioning: The Manchurian Candidate by Bruce Krajewski
- 12. Sophistry, Magic, and the Vilifying Rhetoric of The Usual Suspects by David Blakesley
- 13. Textual Trouble in River City: Literacy, Rhetoric, and Consumerism in The Music Man by Harriet Malinowitz
- 14. Screen Play: Ethos and Dialectics in A Time to Kill by Granetta L. Richardson
- 15. Postmodern Dialogics in Pulp Fiction: Jules, Ezekiel, and Double-Voiced Discourse by Kelly Ritter
- Contributors
- Index
- Editor Biography
- Back Cover
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