
Conflicted
Description
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Blacksin argues that journalism's humanitarian frame-now hegemonic in conflict coverage-serves to depoliticize and remoralize war, transforming war from an effect of policy on populations to a matter of violence against the innocent. Exploring the tension between experience and expression in conditions of violence, and tracking how journalists respond to dominant expectations of reality, Conflicted tells the story of war, reporters, and the consequences of their convergence. As new wars, and new reportage, continue to shape our understanding of armed conflict, this book makes visible both the power and the particularity of war reportage.
Reviews / Votes
"Blacksin's clear interpretive voice plies journalism's unconscious, bringing to the fore the fear and trauma that is excised from reporting. Conflicted is a truly extraordinary book - written with aplomb, thoroughly researched, and thoughtful through and through. A landmark text in the literature on the mediation of war." -Alex Fattal, author of Guerrilla Marketing: Counterinsurgency and Capitalism in Colombia"We live in an age of war and depend for our war stories on the men and women who serve as our witnesses. War reporters are a legendary breed whose vital work has gone largely unexamined - until now. Conflicted is quite simply the most thorough, intelligent, and unflinching examination of conflict reporting ever attempted. Isaac Blacksin has been there and his provocative account made me nod in recognition, grin in appreciation, and shout in outrage. For those transfixed by war-and determined to learn how we really know what we think we know about it-this book is essential reading." -Mark Danner, author of Stripping Bare the Body: Politics Violence War and Spiral: Trapped in the Forever War
"A thoughtful work that draws on extensive ethnographic fieldwork and psychoanalysis, Conflicted does not make for light reading. It does, however, provide a corrective to a practice like drone warfare and the seemingly easy acceptance of civilian casualties resulting from 'the Global War on Terrorism.' It also calls into question the 'bearing witness' of journalistic professions.... Recommended."-R. C. Cottrell, CHOICE
"Conflicted offers a compelling critique of war journalism that challenges conventional narratives and advocates for a more detailed and critical approach to conflict reporting.... This book is essential for anyone interested in the intersection of media, war, and society."-Mahedi Hasan, Journalism & Mass Communication Quarterly "Conflicted: Making News from Global War constitutes a major intervention for critical scholarship, in my view, and as such is essential reading not only for those concerned with war reportage but also for anyone endeavoring to rethink familiar presumptions about journalistic form, practice, and epistemology."-Stuart Allan, International Journal of Press/Politics
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Content
Introduction: War's Lobby: The Displacements of Journalism in Wartime
Interlude: Cheapening Experience
Part I: The Language of War Reportage and Its Conditions
1. Folklore of the Future: The Certainty of Journalistic Expression
2. Visible System and Invisible Rules: Commodifying Common Sense
Interlude: Available Stories
Part II: The Meaning of War Reportage and Its Exclusions
3. Extermination as Protection: Depoliticizing War, Remoralizing Violence
4. Power Speaking to Truth: Struggles with the Problem of War
Interlude: What to Make of It
Part III: The Practice of War Reportage and Its Contradictions
5. Writing Conflicts: The Tension Between Experience and Expression
6. Agitation at the Margins: Return of the Journalistically Repressed
Interlude: Leaving Mosul
Conclusion: War's Exit: Entangled Possibility in the Age of Endless Conflict
Epilogue: From Mosul to Mariupol
Acknowledgments
Notes
Bibliography
Index
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System requirements:
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- Tablet/smartphone (Android; iOS): Install the free app Adobe Digital Editions or the app PocketBook before downloading (see eBook Help).
- E-reader: Bookeen, Kobo, Pocketbook, Sony, Tolino and many more (only limited: Kindle).
The file format PDF always displays a book page identically on any hardware. This makes PDF suitable for complex layouts such as those used in textbooks and reference books (images, tables, columns, footnotes). Unfortunately, on the small screens of e-readers or smartphones, PDFs are rather annoying, requiring too much scrolling.
This eBook uses Adobe-DRM, a „hard” copy protection. If the necessary requirements are not met, unfortunately you will not be able to open the eBook. You will therefore need to prepare your reading hardware before downloading.
Please note: We strongly recommend that you authorise using your personal Adobe ID after installation of any reading software.
For more information, see our eBook Help page.
File format: PDF
Copy protection: Watermark-DRM (Digital Rights Management)
System requirements:
- Computer (Windows; MacOS X; Linux): Use the free software Adobe Reader, Adobe Digital Editions, or any other PDF viewer of your choice (see eBook Help).
- Tablet/Smartphone (Android; iOS): Install the free app Adobe Digital Editions or another reading app for eBooks, e.g., PocketBook (see eBook Help).
- E-reader: Bookeen, Kobo, Pocketbook, Sony, Tolino and many more (only limited: Kindle).
The file format PDF always displays a book page identically on any hardware. This makes PDF suitable for complex layouts such as those used in textbooks and reference books (images, tables, columns, footnotes). Unfortunately, on the small screens of e-readers or smartphones, PDFs are rather annoying, requiring too much scrolling.
This eBook uses Watermark-DRM, a „soft” copy protection. This means that there are no technical restrictions to prevent illegal distribution. However, there is a personalised watermark embedded in the eBook that can be used to identify the purchaser of the eBook in the event of misuse and to provide evidence for legal purposes.
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