The O.C.
A Critical Understanding
1st Edition
Published on 25. October 2012
242 pages
978-0-7391-3317-0 (ISBN)
Description
The O.C., A Critical Understanding, by Lori Bindig and Andrea M. Bergstrom, is a feminist cultural studies analysis of FOX's hit teen television drama The O.C. (2003-2007). Episodes of The O.C. are analyzed as a set of media texts that blur the boundaries between hegemonic and counter-hegemonic content. This analysis utilizes ancillary media such as director commentary in conjunction with content in order to understand how ideological content, in regards to gender, race, class, sexuality, and consumerism, is presented throughout the show. The O.C. is also examined in terms of audience analysis, auteur theory, aesthetics, and reality television spin-offs. Bindig and Bergstrom place The O.C. in a larger social context and explore the potential ramifications of popular media texts, as well as the series' cultural legacy which continues to resonate in media and culture.
More details
Series
Edition
1. Auflage
Language
English
Place of publication
New York
United States
Publishing group
Bloomsbury Publishing Plc
Target group
Professional and scholarly
ISBN-13
978-0-7391-3317-0 (9780739133170)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Book
10/2012
Lexington Books
€133.10
Shipment within 10-20 days
Persons
Lori Bindig is assistant professor in the Department of Communication and Media Studies at Sacred Heart University in Fairfield, Connecticut.
Andrea M. Bergstrom is assistant professor of media studies in the Department of Mass Communication at Franklin Pierce University in Rindge, New Hampshire.
Andrea M. Bergstrom is assistant professor of media studies in the Department of Mass Communication at Franklin Pierce University in Rindge, New Hampshire.
Content
Part 1. Welcome to The O.C.: Understanding the Content and Audiences of The O.C.
Chapter 1. Introduction
Chapter 2. Youth and Media Culture
Chapter 3. "My Life Just Doesn't Work Without You": How Gender Works in The O.C.
Chapter 4. Angels and Demons: Depictions of Race and Class on The O.C.
Chapter 5. "Gay Dad Trumps Slutty Mom": Sexuality on The O.C.
Chapter 6. Welcome to the...Over Consumption?: Representations of Consumerism and The O.C.
Chapter 7. Audience Analysis and The O.C.
Part 2. The End's Not Near, It's Here: The Cultural Legacy of The O.C. in Today's Media Landscape
Chapter 8. Josh Schwartz: Auteur?: Showrunners, Authorship, and The O.C.
Chapter 9. Scene and Sound: The Media Aesthetics of The O.C.
Chapter 10. The "Real" O.C.?: Reality Television and The O.C.
Chapter 11. Conclusion
Appendix A. Brief Synopsis of the Four Seasons of The O.C.
Appendix B. Methodology
Chapter 1. Introduction
Chapter 2. Youth and Media Culture
Chapter 3. "My Life Just Doesn't Work Without You": How Gender Works in The O.C.
Chapter 4. Angels and Demons: Depictions of Race and Class on The O.C.
Chapter 5. "Gay Dad Trumps Slutty Mom": Sexuality on The O.C.
Chapter 6. Welcome to the...Over Consumption?: Representations of Consumerism and The O.C.
Chapter 7. Audience Analysis and The O.C.
Part 2. The End's Not Near, It's Here: The Cultural Legacy of The O.C. in Today's Media Landscape
Chapter 8. Josh Schwartz: Auteur?: Showrunners, Authorship, and The O.C.
Chapter 9. Scene and Sound: The Media Aesthetics of The O.C.
Chapter 10. The "Real" O.C.?: Reality Television and The O.C.
Chapter 11. Conclusion
Appendix A. Brief Synopsis of the Four Seasons of The O.C.
Appendix B. Methodology
