The Video Studio
3rd Edition
Published on 17. October 1994
192 pages
978-1-136-04986-6 (ISBN)
Description
The recent demise of the independent television companies and the expansion of satellite and cable networks has led to an explosion in small, independent production facilities. In parallel with this development has been a steady increase in media training and a major expansion in corporate video facilities. The Video Studio is written for everyone contemplating setting-up a professional installation, whether studio or location based.
The Video Studio shows how to estimate the scale of investment required and, depending on the nature and frequency of use of the facility, the layout of technical areas and the function of the main items of equipment is described in easy to understand language. In short this is a nuts and bolts approach to planning and operating a studio of 150 square metres or less.
Completely updated to take account of all the recent technological advances which have taken place, the book now covers: DAT, timecode, digital compression, non-linear editing and all current digital video formats.
The Video Studio shows how to estimate the scale of investment required and, depending on the nature and frequency of use of the facility, the layout of technical areas and the function of the main items of equipment is described in easy to understand language. In short this is a nuts and bolts approach to planning and operating a studio of 150 square metres or less.
Completely updated to take account of all the recent technological advances which have taken place, the book now covers: DAT, timecode, digital compression, non-linear editing and all current digital video formats.
More details
Edition
3rd edition
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
Professional and scholarly
File size
9,46 MB
ISBN-13
978-1-136-04986-6 (9781136049866)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Alan Bermingham | Ed Boyce | Ken Angold-Stephens
The Video Studio
Book
08/2016
3rd Edition
Routledge
€205.80
Shipment within 10-20 days
Alan Bermingham | Ed Boyce | Ken Angold-Stephens
The Video Studio
Book
10/1994
3rd Edition
Focal Press
€81.90
Shipment within 15-20 days
Persons
Alan Bermingham, Michael Talbot-Smith, Ken Angold-Stephens, Ed Boyce
Content
Introduction; Chapter 1 Studio: Initial Planning; Chapter 2 Studio Facilities; Chapter 3 Layout of Control Areas; Chapter 4 Studio Construction; Chapter 5 Studio General Services; Chapter 6 Studio Sound Insulation; Chapter 7 Studio Acoustics; Chapter 8 Studio Ventilation; Chapter 9 Studio Scenery; Chapter 10 Studio Cyclorama; Chapter 11 Technical Equipment Store; Chapter 12 Make-up; Chapter 13 Costume; Chapter 14 Equipment Maintenance Area; Chapter 15 Safety in the Studio; Chapter 16 The Vision System; Chapter 17 Choice of Camera System; Chapter 18 Picture Generation; Chapter 19 Camera Lenses; Chapter 20 Choice of Lens; Chapter 21 Camera Mountings; Chapter 22 Camera Cables and Cabling Points; Chapter 23 Vision and Lighting Control Area; Chapter 24 Signal Processing (Camera Control Unit); Chapter 25 Line-up of Camera Channels; Chapter 26 Vision Control; Chapter 27 Monitoring the Vision Signal; Chapter 28 Picture Monitors: Monochrome; Chapter 29 Picture Monitors: Colour; Chapter 30 Synchronisation; Chapter 31 Vision Signal Distribution; Chapter 32 Production Control Room; Chapter 33 Vision Mixer or Switcher: Function; Chapter 34 Vision Mixer: General Facilities; Chapter 35 Vision Mixer: Special Effects; Chapter 36 Other Analogue Vision Facilities; Chapter 37 Digital Video Technology; Chapter 38 Television Prompters; Chapter 39 Graphics; Chapter 40 Lighting: Overall System; Chapter 41 Simple Lighting Supports; Chapter 42 Lighting Suspension Systems; Chapter 43 Lighting: Outlets and Dimmers; Chapter 44 Lighting: General-purpose Luminaires; Chapter 45 Lighting: Special Luminaires; Chapter 46 Lighting: Fluorescent Lights; Chapter 47 Lighting Control: Dimmers (Analogue); Chapter 48 Lighting Control: Dimmers (Digital); Chapter 49 Lighting Console; Chapter 50 Microphone Assessment; Chapter 51 Microphone Categories; Chapter 52 Sound Pick-up; Chapter 53 Radio Microphone; Chapter 54 Sound Mixing Consoles; Chapter 55 Sound Mixing Console: Outputs; Chapter 56 Monitoring Sound Levels; Chapter 57 Automatic Level Control; Chapter 58 Frequency Correction; Chapter 59 Artificial Reverberation; Chapter 60 Loudspeakers; Chapter 61 Audio Tape Recorders (Analogue); Chapter 62 Audio Noise Reduction Systems; Chapter 63 Digital Audio; Chapter 64 Digital Tape Recording; Chapter 65 Compact Discs; Chapter 66 Sound Perspective; Chapter 67 Sound and Audience Participation; Chapter 68 Sound Effects Sources; Chapter 69 Talkback in the Studio; Chapter 70 Communication in the Studio Complex; Chapter 71 Telecine; Chapter 72 The Videotape Facility; Chapter 73 Videotape Recorders; Chapter 74 Basic Operational Requirements of VTR; Chapter 75 Videotape Editing; Chapter 76 VT Edit Systems; Chapter 77 Non-linear Editing Systems; Chapter 78 Post-production Suites; Chapter 79 Sound Dubbing; Chapter 80 Programme and Production Planning; Chapter 81 Studio Discipline; Chapter 82 Staffing and Responsibilities; Chapter 83 On Location: Main Requirements; Chapter 84 On Location: Lighting and Accessories; Chapter 85 On Location: Using Microphones; Chapter 86 On Location: Camera Mountings;
