Notes on Contributors

Christina Alt is a Lecturer at the University of St. Andrews. Her research centers on exchanges between modernist literature and science, particularly the biological sciences. She is the author of Virginia Woolf and the Study of Nature (2010) and is currently writing a monograph on modernism and ecology.

Claire Battershill is a Banting Postdoctoral Fellow at Simon Fraser University. She has published articles on biography and autobiography at the Hogarth Press, contemporary writers' rooms, and theories of authorship. She is currently working on a book project entitled "Selling Real Lives: Biography in the Literary Marketplace, 1918-1939."

Jessica Berman is Professor of English and Director of the Dresher Center for the Humanities at the University of Maryland, Baltimore County (UMBC). She is the author of Modernist Commitments: Ethics, Politics, and Transnational Modernism (2011) and Modernist Fiction, Cosmopolitanism and the Politics of Community (2001). With Paul K. Saint-Amour, she edits the Modernist Latitudes book series for Columbia University Press.

Alison Booth, Professor of English at the University of Virginia, is the author of How to Make It as a Woman (2004), Greatness Engendered: George Eliot and Virginia Woolf (1992), and a book on literary house museums. She directs the Collective Biographies of Women online project, supported by the National Endowment for the Humanities and the American Council of Learned Societies.

Geneviève Brassard is Associate Professor and Chair of the Department of English at the University of Portland, where she teaches courses in twentieth-century British, Irish, and postcolonial literatures. She has published articles on Woolf, Austen, Bowen, Wharton, Sinclair, and Irene Rathbone.

Pamela L. Caughie is Professor of English at Loyola University Chicago. Her publications on Woolf include Virginia Woolf Writing the World (co-edited, 2015), Woolf Online (co-edited, 2013), Virginia Woolf in the Age of Mechanical Reproduction (edited, 2000), Virginia Woolf and Postmodernism (1991), and contributions to several companions, collections, and journals.

Supriya Chaudhuri is Professor (Emerita) in the Department of English, Jadavpur University, Calcutta. Her specializations include European Renaissance literature, nineteenth- and early twentieth-century Indian cultural history, the novel, cinema, and theory. She has written on modernist movements in India and has translated modernist poetry and fiction.

Sarah Cole is Professor of English and Comparative Literature at Columbia University, and the author of two books, At the Violet Hour: Modernism and Violence in England and Ireland (2012) and Modernism, Male Friendship, and the First World War (2003), and of numerous articles. She is the co-founder of the NYNJ Modernism Seminar, and the recipient of a Guggenheim Fellowship.

Madelyn Detloff, Associate Professor of English and Women's, Gender, and Sexuality Studies at Miami University, is former vice president of the International Virginia Woolf Society and author of The Persistence of Modernism: Loss and Mourning in the Twentieth Century (2009), as well as of essays in Hypatia, Women's Studies, ELN, Literature Compass, MMLA, and Modernism/Modernity.

Maud Ellmann is the Randy L. and Melvin R. Berlin Professor of the Development of the Novel in English at the University of Chicago. She has written widely on modernism and psychoanalysis; her most recent book is The Nets of Modernism: James, Woolf, Joyce, and Freud (2010).

Anne E. Fernald is Professor of English and Women's Studies at Fordham University's Lincoln Center campus. She is the editor of the Cambridge Edition of Mrs. Dalloway (2014) and author of Virginia Woolf: Feminism and the Reader (2006), and has published articles and reviews on Woolf, feminism, and modernism.

Susan Stanford Friedman is the Virginia Woolf Professor of English and Women's Studies at the University of Wisconsin-Madison. She publishes on modernism, feminist theory, narrative theory, migration studies, and world literature. She was founding co-editor of Contemporary Women's Writing. Recent books include Planetary Modernisms: Provocations on Modernity across Time (2015) and Comparisons: Theories, Approaches, Uses (2013).

Jane Garrity is Associate Professor of English at the University of Colorado at Boulder. She is the author of Step-Daughters of England: British Women Modernists and the National Imaginary (2003); the co-editor, with Laura Doan, of Sapphic Modernities: Sexuality, Women, and National Culture (2006); and the editor of "Queer Space," a special issue for English Language Notes (2007). She is currently writing a monograph titled "Fashioning Bloomsbury."

Jane Goldman is Reader in English Literature at the University of Glasgow. She is a general editor of the Cambridge Edition of the Works of Virginia Woolf and is editing Woolf's To the Lighthouse and co-editing A Room of One's Own for the series. She is the author of With You in the Hebrides: Virginia Woolf and Scotland (2013); The Cambridge Introduction to Virginia Woolf (2006); Modernism, 1910-1945: Image to Apocalypse (2004); and The Feminist Aesthetics of Virginia Woolf: Modernism, Post-impressionism and the Politics of the Visual (1998). She is currently writing a book entitled Virginia Woolf and the Signifying Dog.

Maggie Humm is Emeritus Professor at the University of East London. Her publications on Woolf include The Edinburgh Companion to Virginia Woolf and the Arts (2010), Snapshots of Bloomsbury: The Private Lives of Virginia Woolf and Vanessa Bell (2005), and Modernist Women and Visual Cultures: Virginia Woolf, Vanessa Bell, Cinema and Photography (2002).

Mark Hussey is Professor of English at Pace University in New York. He is editor of Woolf Studies Annual and has published widely on Virginia Woolf and Bloomsbury. Among his current projects are Modernism's Print Cultures (with Faye Hammill) and a biography of Clive Bell.

Tamar Katz is Associate Professor of English at Brown University and the author of Impressionist Subjects: Gender, Interiority, and Modernist Fiction in England (2000). She is working on a book entitled "City Memories: Modernism and Urban Nostalgia in New York City."

Laura Ma Lojo-Rodríguez is Senior Lecturer in English at the Department of English and German, Universidade de Santiago de Compostela, Spain. Some of her publications on Woolf include Moving across a Century: Women's Short Fiction from Virginia Woolf to Ali Smith (2012) and "'A Gaping Mouth but No Words': Virginia Woolf Enters the Land of Butterflies," in The Reception of Virginia Woolf in Europe (2002).

Marina MacKay is Associate Professor of English and Tutorial Fellow of St. Peter's College, University of Oxford. Her publications include The Cambridge Introduction to the Novel (2011), Modernism and World War II (2007), and British Fiction after Modernism (co-edited with Lyndsey Stonebridge, 2007).

Laura Marcus, FBA, is Goldsmith's Professor of English Literature at the University of Oxford and Professorial Fellow of New College. Her publications include Dreams of Modernity: Psychoanalysis, Literature, Cinema (2014); The Tenth Muse: Writing about Cinema in the Modernist Period (2007), which was awarded the 2008 James Russell Lowell Prize of the Modern Language Association; Virginia Woolf: Writers and Their Work (1997); Auto/biographical Discourses: Theory, Criticism, Practice (1994); and, as co-editor, The Cambridge History of Twentieth-Century English Literature (2004).

Melanie Micir is an Assistant Professor of English at Washington University in St. Louis, where she is also an affiliate faculty member in women's, gender, and sexuality studies. She is finishing a book about queer feminist biographical acts.

Jean Mills is Associate Professor of English at John Jay College, City University of New York. She is the author of Virginia Woolf, Jane Ellen Harrison, and the Spirit of Modernist Classicism (2014). Her most recent essay is "To the Lighthouse: The Critical Heritage," in The Cambridge Companion to "To the Lighthouse" (2015).

Elizabeth Outka is an Associate Professor of English at the University of Richmond. She is the author of Consuming Traditions: Modernity, Modernism, and the Commodified Authentic (2009); her current project, "Raising the Dead: War, Plague, Magic, Modernism," explores how World War I and the 1918 influenza pandemic radically shifted perceptions of the corpse.

Nels Pearson is Associate Professor of English and Director of Irish Studies at Fairfield University. He is the author of Irish Cosmopolitanism: Location and Dislocation in James Joyce, Elizabeth Bowen, and Samuel Beckett (2015) and...