
The Nineteenth Century Revis(it)ed
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Content
The New American Historical Fiction
A Brief History of the Historical Novel
Nineteenth-Century Historical Romance as National Literature
The Fact/Fiction Dichotomy
Master Narrative vs. Micro Narrative
Academic History vs. Pop History
The Illusion of Veracity
Nostalgia, Escapism, or Historical Lesson?
The Appeal of the Nineteenth Century
Historical Fiction, Memory, and Genre
The Neoconservative, the Liberal, the Identitarian, and the Postmodern
Is All New Historical Fiction Historiographic Metafiction?
How Neo-Victorian is It?
Revis(it)ing the Past
2. Historical Crime Fiction
Theoretical Conceptions
Caleb Carr's The Alienist (1994)
Matthew Pearl's The Dante Club (2003)
Erik Larson's The Devil in the White City (2003)
3. Multi-time-level Historical Fiction
Theoretical Groundwork
Valerie Martin's The Great Divorce (1994)
Michael Cunningham's Specimen Days (2005)
David Ebershoff's The 19th Wife (2008)
4. Historical Biofiction
Theoretical Foundations
Lauren Belfer's City of Light (1999)
Diane Glancy's Stone Heart (2003)
John May's Poe & Fanny (2004)
5. Reanimated Classics
Theoretical Framework
Christopher Bigsby's Hester (1994)
Alice Randall's The Wind Done Gone (2001)
Geraldine Brooks's March (2005)
6. Revis(it)ing History and Fiction
Works Cited
Index
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