
Narrating the Nation
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"...an important, indeed significant, collection of essays that examine the historiography of presenting 'nationhood.' There is a shared point of view in the historiographical perspectives of the contributors that warrants the collection being considered as a 'transitional formulation' in Jaspers's sense of the term...[The volume] can thus be seen as a watershed book for our time, opening an avenue for a global historiography of 'in-common historiographical premises,' even as it insists on discerning the diverse and complex perspectives that constitute any particular study." ? H-Net Habsburg"The bulk of the analytical essays are well-written, informative and acute in pursuing the theoretical ambitions of the volume...Narrating the Nation is highly interesting and has a lot to offer. It is, at the same time, a focused and many-facetted volume, which everyone can draw inspiration from, both theoretically and thematically. Against this background, the book can be warmly recommended." ? H-Soz-u-Kult
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Acknowledgements
Introduction: Narrating the Nation: Historiography and Other Genres
Stefan Berger
PART I: SCIENTIFIC APPROACHES TO NATIONAL NARRATIVES
Chapter 1. Historical Representation, Identity, Allegiance
Allan Megill
Chapter 2. Drawing the Line: 'Scientific' History between Myth-making and Myth-breaking
Chris Lorenz
Chapter 3. National Histories: Prospects for Critique and Narrative
Mark Bevir
PART II: NARRATING THE NATION AS LITERATURE
Chapter 4. Fiction as a Mediator in National Remembrance
Ann Rigney
Chapter 5. The Institutionalisation and Nationalisation of Literature in Nineteenth-century Europe
John Neubauer
Chapter 6. Towards the Genre of Popular National History: Walter Scott after Waterloo
Linas Eriksonas
Chapter 7. Families, Phantoms and the Discourse of 'Generations' as a Politics of the Past: Problems of Provenance: Rejecting and Longing for Origins
Sigrid Weigel
PART III: NARRATING THE NATION AS FILM
Chapter 8. Sold Globally - Remembered Locally: Holocaust Cinema and the Construction of Collective Identities in Europe and the US
Wulf Kansteiner
Chapter 9. Cannes 1956/1979: Riviera Reflections on Nationalism and Cinema
Hugo Frey
PART IV: NARRATING THE NATION AS ART AND MUSIC
Chapter 10. From Discourse to Representation: 'Austrian Memory' in Public Space
Heidemarie Uhl
Chapter 11. Personifying the Past: National and European History in the Fine and Applied Arts in the Age of Nationalism
Michael Wintle
Chapter 12. The Nation in Song
Philip V. Bohlman
PART V: NON-EUROPEAN PERSPECTIVES ON NATION AND NARRATION
Chapter 13. 'People's History' in North America: Agency, Ideology, Epistemology
Peter Seixas
Chapter 14. The Configuration of Orient and Occident in the Global Chain of National Histories: Writing National Histories in Northeast Asia
Jie-Hyun Lim
Notes on Contributors
Bibliography
Index
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