
Landscapes
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Berger pays homage to the writers and thinkers who influenced him, such as Walter Benjamin, Rosa Luxemburg and Bertolt Brecht. His expansive perspective embraces artistic movements and individual artists - from the Renaissance to the present - while never neglecting the social and political context of their creation.
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Content
- Intro
- Title Page
- Copyright Page
- Contents
- Introduction: Down with Enclosures
- Part I: Redrawing the Maps
- 1. Kraków
- 2. To Take Paper, to Draw
- 3. The Basis of All Painting and Sculpture Is Drawing
- 4. Frederick Antal - A Personal Tribute
- 5. An Address to Danish Worker Actors on the Art of Observation, by Bertolt Brecht, Translated by Anya Rostock and John Berger
- 6. Revolutionary Undoing: On Max Raphael's
- 7. Walter Benjamin: Antiquarian and Revolutionary
- 8. The Storyteller
- 9. Ernst Fischer: A Philosopher and Death
- 10. Gabriel García Márquez: The Secretary of Death Reads It Back
- 11. Roland Barthes: Inside the Mask
- 12. Forthflowing on a Joycean Tide
- 13. A Gift for Rosa Luxemburg
- 14. The Ideal Critic and the Fighting Critic
- Part II: Terrain
- 15. The Clarity of the Renaissance
- 16. A View of Delft
- 17. The Dilemma of the Romantics
- 18. The Victorian Conscience
- 19. The Moment of Cubism
- 20. Parade
- 21. Judgment on Paris
- 22. Soviet Aesthetic
- 23. The Biennale
- 24. Art and Property Now
- 25. No More Portraits
- 26. The Historical Function of the Museum
- 27. The
- 28. 1968/1979 Preface to
- 29. Historical Afterword to the
- 30. The White Bird
- 31. The Soul and the Operator
- 32. The Third Week of August 1991
- 33. Ten Dispatches about Place (June 2005)
- 34. Stones (Palestine, June 2003)
- 35. Meanwhile
- Notes
- Acknowledgements
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