
Death of a Prototype
Description
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Reviews / Votes
Beilis's novel is demonically and tantalizingly allusive: it is a complex web of explicit and veiled quotation and stylization, parody, pastiche and paraphrase. Here is the gamut of Russian and Western European cultural traditions, from antiquity to postmodernism: Russian greats from Pushkin to Venedikt Erofeev, via Osip Mandelstam, Vladimir Nabokov and the illustrious House of Tolstoy; European literature from Ovid to Oscar Wilde via Rilke and Goethe; and the philosophical canon, embracing Vasily Rozanov, Sigmund Freud and Mikhail Bakhtin. https://www.the-tls.co.uk/articles/victor-beilis/More details
Other editions
Additional editions

Persons
Leo Shtutin is a translator of literary fiction from Russian.
Content
- Cover
- Front Matter
- Half-title
- Title page
- Copyright information
- Table of contents
- Acknowledgements
- Translator's introduction
- Part (1-3)
- Part One
- Notice
- Koretsky
- Adeles Major and Minor
- Kiryushin
- The Portrait
- Korzunov
- The Portrait (Continued)
- Kazarnovsky
- The Portrait (Continued)
- Kiryushin
- The Portrait (Continued)
- Edward
- The Portrait (Conclusion)
- The Artist
- Part Two
- Notice
- Adele
- Ada
- The Portrait (Abelone)
- Yadya
- The Portrait (Eros)
- Kozin (Symphonie fantastique, Fifth Movement)
- The Portrait (Big Brother)
- The Artist
- Part Three
- Notice
- First and Second
- Commentary
- The Letters
- 1. Little one
- 2. Madman!
- 3. Dear .
- 4. O, Delia .
- 5. Unaddressed
- 6. Dearest artist
- 7. Beloved
- Notes
- End Matter
- Appendix: The Portrait (1873)
- Translator's Afterword
- Explanatory Glosses and References
System requirements
File format: PDF
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