
A Complete Guide to Creative Embroidery
Description
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Content
- Intro
- Title Page
- Copyright
- Contents
- Book I - Design to Embroider
- Contents
- Introduction
- Mark-making Materials
- Background Papers
- Interpreting an Image
- Resists
- Ink and Bleach
- Scratching into Surfaces
- Paper Patterns
- Printing with Sponge Blocks
- Monoprinting
- Patterned Backgrounds
- From Paper to Embroidery
- Manipulated Paper Surfaces
- Boxes and Beads
- Multimedia Design
- Large-scale Designs
- Rubbings
- Collage
- Applied Textured Surfaces
- Learning to Look
- Close to Home
- Further Afield
- Looking Through
- Keeping an Ideas Book
- Exploring Ideas
- Scapes
- Patterns - A possible approach
- Abstract Images
- Trees - A personal theme
- Book II - Stitched Images
- Contents
- Introduction
- Fabric Paints
- Transfer Fabric Paints and Crayons
- Resist Printing with Transfer Paints
- Palette Prints
- Monoprints
- Silk Paints
- Gutta/Resist
- Permanent Fabric Paints
- Rediscovering Applique
- Sewing Down
- Bonding Paper
- Choosing the Edges
- Applied Layers
- Manipulating Fabrics
- Stitch Themes
- Line Stitches
- Textural Stitches
- Layers
- Words and Movement
- Tones
- Linking Shapes
- Stitch Interpretations
- Machine Embroidery
- Creating a Background Using Soluble Fabrics
- Textural Surfaces
- Cords
- Selecting a Theme
- Collecting References
- Making a Design Plan
- Shapes and Patterns Out of Context
- Interpreting a Surface
- Approaches to Colour
- Viewpoints
- Focal Points
- Designs Within Shapes
- Scale
- Finishing and Edges
- Personal Theme
- Glossary
- Acknowledgements
- Reading List
- Stockists and Suppliers
- Index
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