
Photography as Critical Practice
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In a departure from existing conceptions of otherness in postcolonial discourse, Photography as Critical Practice places emphasis on the human condition not as a liberal concept, but as something formed and framed by a broader dimension of social, sexual and cultural otherness.
Including contributions by Elina Ruka, Katrin Kivimaa, Parveen Adams and Liz Wells, the book provides a fascinating new vista on the otherness of photography.
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Content
Critical Practice
PART 1: SPATIAL STORIES
Perfect Harmony
Discovery (1998)
Photography as Colonial Vision
Train up a Child
European Letters
Strangers
Baroque Space and Boredom
Politics of Friendship (1998)
The Digital Age
Zero Culture (2000)
Interview: Elina Ruka - Art Without Coincidences
PART 2: OTHER SPACES
Places of Memories, Places to Change, Katrin Kivimaa
Zone
The Other Side of Seeing
Syntax of a Photowork
Beauty of the Horrid
Notes on Beauty and Landscape
De-Realization (2005)
Space of the Other (2006)
Parveen Adams - The Broken Image
Bungled Memories
AFTERWORD
The Uncanny Observed, Liz Wells
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