
Memory and Understanding
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This theory of concept formation, remembering, and understanding is applied to Proust's A la recherche du temps perdu, with special attention to the author's excursions into philosophical and aesthetic issues. Under this perspective, Proust's work can be seen as an artistic exploration into our capacity of understanding, whereby the unconscious, the memory, is exteriorized in consciousness by presenting the experienced episodes in the conceptual order of similarity and contiguity through our capacity of concept formation. (Series A)
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- Memory and Understanding
- Editorial page
- Title page
- LCC data
- Table of contents
- Preface
- 1. Introduction
- 1. On what there is not
- 2. On what there is
- 2.1. Phenomenological data and structures
- 2.2. Neurological and neuro-physiological data and structures
- 2.3. Correspondence between phenomenological facts and brain activity
- 3. Memory and remembering
- 4. Understanding
- Understanding the sentence John beats Paul
- 5. How memory works in understanding
- 2. Memory
- 1. The architecture of memory
- 2. Remembering, structured from out the episodic memory base
- 3. The architecture of remembrance and deficiencies of memory
- 4. The role of memory in understanding
- 3. Concept formation, remembrance, and understanding
- 1. Bergson and Proust
- 2. Bergson on memory, perception, action, and understanding
- 3. Individual and general concepts in Proust's novel
- 4. The method of the author
- 5. Individual concepts of places and objects
- 6. The Past in the Present: Time Regained and timeless order
- 7. The aesthetic experience
- 8. The home ground: Habits, routines, and general concepts
- 4. Epilogue
- References
- Index
- The series Advances in Consciousness Research
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