
Decoding the Ancient Novel
Description
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In many works of the Second Sophistic, descriptions of visual conveyors of meaning--artworks and dreams--signaled the presence of a deeper meaning. This meaning was revealed in the texts themselves through an interpretation furnished by the author. The two novels at hand, however, manipulate this convention of hermeneutic description by playing upon their readers' expectations and luring them into the trap of incorrect exegesis. Employed for different ends in the context of each work, this process has similar implications in both for the relationship between reader and author as it arises out of the former's involvement with the text.
Originally published in 1989.
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Content
Contents, pg. vii
Preface, pg. ix
ONE. Description and Interpretation in the Second Sophistic, pg. 3
TWO. Pictorial Description: Clues, Conventions, Girls, and Gardens, pg. 40
THREE. Dreams, Oracles, and Oracular Dreams: Misinterpretation and Motivation, pg. 80
FOUR. Descriptions of Spectacles: The Reader as Audience, the Author as Playwright, pg. 109
FIVE. The Other Descriptions: Relation to Narrative and Reader, pg. 144
SIX. The Role of Description, pg. 171
APPENDIX. Summaries of Leucippe and Clitophon and the Aethiopica, pg. 179
Bibliography, pg. 185
Index Locorum, pg. 191
General Index, pg. 196
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