
Final Fridays
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Content
- Intro
- Contents
- Acnowledgments
- Foreword: To the Hyphen, and Beyond
- I. ON READING, WRITING, AND THE STATE OF THE ART
- Keats's Fears, Etc.
- The State of the Art
- Two More Forewords
- In the Beginning": The Big Bang, the Anthropic Principle, and the Jesus Paradox
- How it Was, Maybe: A Novelist Looks Back on Life in Early-Colonial Virginia and Maryland
- Further Questions?
- Incremental Perturbation
- The Parallels!": Italo Calvino and Jorge Luis Borges
- My Faulkner
- ¿Cien Años de Qué?
- A Window at the Pratt
- On Readings
- The End of the Word As We've Known It?
- "I've Lost My Place!"
- The Place of "Place" in Fiction
- Liberal Education: The Tragic View
- The Relevance of Irrelevance: Writing American
- All Trees Are Oak Trees. . .": Introductions to Literature
- The Inkstained Thumb
- Future Imperfect
- I.
- In the Beginning, Once Upon a Time, It Was a Dark and Stormy Night. . .
- The Morning After
- It Can Be Arranged: A Novelist Recalls His Jazz-Drumming Youth
- The End? On Writing No Further Fiction, Probably
- II. TRIBUTES AND MEMORIA
- Introduction to Not-Knowing: The Essays and Interviews of Donald Barthelme
- The Passion Artist (tribute to John Hawkes)
- The Accidental Mentor (Homage to Leslie Fiedler)
- As Sinuous and Tough as Ivy" (80th Birthday Salute to William H. Gass)
- The Last Introduction (memorial tribute to Joseph Heller)
- Remembering John Updike
- The Judge's Jokes: Souvenirs of My Father, the After-Banquet Speaker
- Eulogy For Jill
- Notes
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