Practice as Research
Approaches to Creative Arts Enquiry
Published on 10. June 2014
224 pages
978-0-85773-621-5 (ISBN)
Description
Practice-led research is a burgeoning area across the creative arts, with studio informed doctorates frequently favoured over traditional approaches to research. Practice as Research: Approaches to Creative Arts Enquiry is specifically designed as a training tool and is structured on the model used by most research programmes. A comprehensive introduction lays out the book's framework and individual chapters provide concrete examples of studio-based research in art, film and video, creative writing and dance. Comprehensive in its approach, the volume draws on thinkers including Deleuze, Bourdieu and Heidegger in its examination of the relationship between practice and theory demonstrating how practice can operate as a valid alternative mode of enquiry to traditional scholarship.
More details
Edition
Digital original
Language
English
Place of publication
United Kingdom
Publishing group
Bloomsbury Publishing PLC
Edition type
Digital original
Illustrations
Illustrations
ISBN-13
978-0-85773-621-5 (9780857736215)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Book
01/2010
I.B. Tauris
€44.75
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Persons
Estelle Barrett is Senior Lecturer, School of Communication and Creative Arts, Deakin University, Australia.
Barbara Bolt is Senior Lecturer in Visual Media, University of Melbourne, Australia. She is a practising artist and the author of Art Beyond Representation (I.B.Tauris).
Barbara Bolt is Senior Lecturer in Visual Media, University of Melbourne, Australia. She is a practising artist and the author of Art Beyond Representation (I.B.Tauris).
Content
List of Illustrations
Acknowledgements
Foreword
Introduction
Chapter 1 Interest: The Ethics of Invention - Paul Carter
Chapter 2 The Magic is in Handling - Barbara Bolt
Chapter 3 History Documents, Arts Reveals: Creative Writing as Research - Gaylene Perry
Chapter 4 Cutting Choreography: Back and Forth Between 12 Stages and 27 Seconds - Dianne Reid
Chapter 5 "Silent" Speech - Annette Iggulden
Chapter 6 'Chamber': Experiencing Masculine Identity Through Dance Improvisation - Shaun McLeod
Chapter 7 Rhizome/MyZone: A Case Study in Studio-based Dance Research - Kim Vincs
Chapter 8 A Correspondence Between Practices - Stephen Goddard
Chapter 9 Creating New Stories For Praxis: Navigations, Narrations, Neonarratives - Robyn Stewart
Chapter 10 Foucault's 'What is An Author': Towards a Critical Discourse of Practice as Research - Estelle Barrett
Chapter 11 Rupture and Recognition: Identifying The Performative Research Paradigm -Brad Haseman
Chapter 12 The Exegesis as Meme - Estelle Barrett
Notes
References
Contributors
Appendix
Acknowledgements
Foreword
Introduction
Chapter 1 Interest: The Ethics of Invention - Paul Carter
Chapter 2 The Magic is in Handling - Barbara Bolt
Chapter 3 History Documents, Arts Reveals: Creative Writing as Research - Gaylene Perry
Chapter 4 Cutting Choreography: Back and Forth Between 12 Stages and 27 Seconds - Dianne Reid
Chapter 5 "Silent" Speech - Annette Iggulden
Chapter 6 'Chamber': Experiencing Masculine Identity Through Dance Improvisation - Shaun McLeod
Chapter 7 Rhizome/MyZone: A Case Study in Studio-based Dance Research - Kim Vincs
Chapter 8 A Correspondence Between Practices - Stephen Goddard
Chapter 9 Creating New Stories For Praxis: Navigations, Narrations, Neonarratives - Robyn Stewart
Chapter 10 Foucault's 'What is An Author': Towards a Critical Discourse of Practice as Research - Estelle Barrett
Chapter 11 Rupture and Recognition: Identifying The Performative Research Paradigm -Brad Haseman
Chapter 12 The Exegesis as Meme - Estelle Barrett
Notes
References
Contributors
Appendix
