
A Kite in the Wind
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Content
- Intro
- Contents
- Introduction
- Part 1 Narrative Distance and Narrative Voice
- The Author-Narrator-Character Merge: Why Many First-Time Novelists Wind Up with Flat, Uninteresting Protagonists
- Self-Awareness and Self-Deception: Beyond the Unreliable Narrator
- The Truthless Narrator
- First Person: Finding the Right Address
- Comic and Cosmic Distance
- Part 2 Revealing Character
- In the Garden: Revealing a Character at a Moment of Change
- The Space Between
- The Literature of Delusion: Approaches to Madness and Mania in Fiction
- The Absence of Their Presence: Mythic Character in Fiction
- Emblem, Essence
- Part 3 Seeing and Setting
- "It's a Wooden Leg First": On the Nature of Seeing in Fiction
- Matrix for Meaning: Physical Setting in Cormac McCarthy's Blood Meridian
- Some Reflections on the Concept of Place in Fiction
- The Heart One Knows by Heart: Operating Instructions for Operating Instructions
- Part 5 Pattern and Shape
- Size Matters
- Puzzles, Mysteries, and Other Problems
- or, The Seven Bridges of Königsberg
- The Breakout Element: Unpredictability and the Novel
- Lush Life
- On Suspense, Shower Murders, the Sword of Damocles, and Shooting People on the Beach
- The About-to-Be Moment: Imminence in the Grimm Fairy Tales
- Contributors
- Credits
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