(Re)Positioning Site Dance
Local Acts, Global Perspectives
1st Edition
Published on 15. July 2019
978-1-78938-013-2 (ISBN)
Description
Site-based dance performance and sited movement explorations implicate dance makers, performers and audience members in a number of dialogical processes between body, site and environment. This book aims to articulate international approaches to the making, performing and theorising of site-based dance. Drawing on perspectives from three practitioner-academics based in three distinct world regions - Europe, North America and Oceania - the authors explore a range of practices that engage with sociocultural, political, ecological and economic discourses, and demonstrate how these discourses both frame and inform processes of site dance making as well as shape the ways in which such interventions are conceived and evaluated.
Intended for artists, scholars and students, (Re)Positioning Site Dance is an important addition to the theoretical discourse on place and performance in an era of global sociopolitical and ecological transformation.
Intended for artists, scholars and students, (Re)Positioning Site Dance is an important addition to the theoretical discourse on place and performance in an era of global sociopolitical and ecological transformation.
More details
Edition
1. Auflage
Language
English
Place of publication
United Kingdom
Publishing group
Intellect
Target group
Professional and scholarly
Illustrations
49 Halftones, black and white
ISBN-13
978-1-78938-013-2 (9781789380132)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Karen Barbour | Victoria Hunter | Melanie Kloetzel
(Re)Positioning Site Dance
Local Acts, Global Perspectives
Book
07/2019
Intellect Books
€102.20
Shipment within 3-4 weeks
Persons
Karen Barbour is an Associate Professor in the School of Arts, Te Kura Kete Aronui, at the University of Waikato in Aotearoa New Zealand.
Victoria Hunter is a practitioner-researcher and Reader in Site Dance and Choreography at the University of Chichester, UK.
Melanie Kloetzel is an Associate Professor of Dance at the University of Calgary, Canada, and the Artistic Director of the dance theatre company kloetzel&co.
Victoria Hunter is a practitioner-researcher and Reader in Site Dance and Choreography at the University of Chichester, UK.
Melanie Kloetzel is an Associate Professor of Dance at the University of Calgary, Canada, and the Artistic Director of the dance theatre company kloetzel&co.
Content
List of Illustrations
Introduction: (Re)positioning site dance: Local acts, global perspectives
Karen Barbour, Victoria Hunter, Melanie Kloetzel
Section One: Historical lineages and contemporary concerns: Tactics, encounters and contexts
Chapter 1: From recontextualisation to protest: 50 years of site dance practice in North America
Melanie Kloetzel
Chapter 2: Activism, land contestation and place responsiveness
Karen Barbour
Chapter 3: Sited English folk dance as a form of site dance: Heritage, tradition and resistance
Victoria Hunter
Section Two: Practice into theory: Materials, dialogues and affect
Chapter 4: Dancing gardens, Phenomenology and affective practices
Karen Barbour
Chapter 5: Material touchstones: Weaving histories through site-specific dance performance
Victoria Hunter
Chapter 6: Lend me an ear: Dialogism and the vocalising site
Melanie Kloetzel
Section Three: Moving towards the global: Ethics, morality and marginalisation
Chapter 7: Performing parks and squares
Victoria Hunter
Chapter 8: Site-specific dance and environmental ethics: Relational fields in the Anthropocene
Melanie Kloetzel
Chapter 9: Dancing in Foreign places: Practices of place and tropophilia
Karen Barbour
Conclusion
References
Index
Introduction: (Re)positioning site dance: Local acts, global perspectives
Karen Barbour, Victoria Hunter, Melanie Kloetzel
Section One: Historical lineages and contemporary concerns: Tactics, encounters and contexts
Chapter 1: From recontextualisation to protest: 50 years of site dance practice in North America
Melanie Kloetzel
Chapter 2: Activism, land contestation and place responsiveness
Karen Barbour
Chapter 3: Sited English folk dance as a form of site dance: Heritage, tradition and resistance
Victoria Hunter
Section Two: Practice into theory: Materials, dialogues and affect
Chapter 4: Dancing gardens, Phenomenology and affective practices
Karen Barbour
Chapter 5: Material touchstones: Weaving histories through site-specific dance performance
Victoria Hunter
Chapter 6: Lend me an ear: Dialogism and the vocalising site
Melanie Kloetzel
Section Three: Moving towards the global: Ethics, morality and marginalisation
Chapter 7: Performing parks and squares
Victoria Hunter
Chapter 8: Site-specific dance and environmental ethics: Relational fields in the Anthropocene
Melanie Kloetzel
Chapter 9: Dancing in Foreign places: Practices of place and tropophilia
Karen Barbour
Conclusion
References
Index
