
Italian Graphic Design
Description
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The book asks how graphic designers learned their trade and investigates the ways in which they organised and made their practice visible while negotiating their collective identity with neighbouring practices such as typography, advertising and industrial design. Attention is drawn to everyday design practice, educational issues, mediating channels, networks, design exchange, organisational strategies and discourses on modernism.
Drawing on a wide range of primary sources and placing an emphasis on visual analysis, this book provides a model for a contextualised graphic design history as an integral part of the history of design and visual culture. -- .
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Content
1 Vocational education and the typographic roots of graphic design
2 Open Studio (Boggeri)
3 Graphic design and good taste at the Milan Triennale
4 Education and practice, working hand in hand
5 The multiple identities of graphic design
Conclusion: redrafting Italian graphic design
Bibliography
Index -- .
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File format: PDF
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