
Classical Reception
Description
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Persons
Anastasia Bakogianni , Massey University, New Zealand (Auckland campus); Luis Unceta Gómez , Universidad Autónoma de Madrid, Spain.
Content
- Intro
- Acknowledgments
- Contents
- List of Figures
- Introduction: Classical Reception in the Early 2020s, Critical Times and Where to Next?
- Section 1: Re-Thinking Classical Reception
- The Master's Tools?: Towards a Politics of Reception
- Classics on the Surface: Classical Reception as an Emergent Process
- Masked Celluloid Classics? Shadows of Clytemnestra in Film Noir
- Section 2: Working with Archives
- The "Advent of the New Rule": An Oresteia (1947) in Prague and the Epistemological Limits of Archivalia
- Karolos Koun's Art Theatre, the Greek Dictatorship, and the Ford Foundation: From Handout to Handshake
- Narcissus, Adonis, and Medusa: Troubled Beauty in Classical Receptions of Film Stardom
- Section 3: Cultural Intersections
- Mocking the Hollywood Epic Canon: Parodies of the Classical World from Latin American Cinema's Studio Era
- Suspended Temporalities and Classical Reception: Cassandra in Anne Carson's Agamemnon
- Manga and the Power of the Classical Object: The Merging of Eastern and Western Traditions
- Section 4: Forming and Re-Negotiating Identities
- Cripping Venus: Intersections of Classics and Disability Studies in Contemporary Receptions of the Venus de Milo
- Social Justice-Engaged Reception Pedagogy at Wake Forest University
- Classics on the Italian Stage: Old Habits and 'New Deals'
- Section 5: Greek Tragedy in a Time of Pandemic
- Tragedy as an Open Network: Antigone in Ferguson (2016-) and The Nurse Antigone (2022-2023)
- "Where's the Body?": Performing Iphigenia at Aulis in New Zealand during the Pandemic (2020)
- Section 6: Engaging with Technology and the Wider Public
- Escaping Hades: Playing with Classical Reception
- Classical Reception Meets Pedagogy: The Creation and Uses of the Panoply Vase Animation Project's Our Mythical Childhood and Locus Ludi Animations
- List of Contributors
- Index
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