
Color Vision
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Content
- Intro
- Introduction
- I. Color Vision in Art and Science
- 1. Aging through the Eyes of Monet
- 1.1 Introduction
- 1.2 A Link between Sunlight and Aging
- 1.3 The Trivariance of Color Mixture: Maxwell and Helmholtz
- 1.4 Monet's Early Impressionistic Style
- 1.5 Monet's Years in Argenteuil and Vètheuil
- 1.6 The Opponent Code for Color Appearance: Hering
- 1.7 Monet's Response to Pointillism and Divisionism
- 1.8 Hay Stack and Cathedral Series
- 1.9 Monet Returns to London
- 1.10 Water Lilies and Cataracts
- 1.11 Summary
- References
- II. Physiology and Neuroethology
- 2. Physiological and Psychophysical Simulations of Color Vision in Humans and Animals
- 2.1 Introduction
- 2.2 Color Stimuli
- 2.3 Psychophysics of Color Vision
- 2.4 Psychophysical Color Spaces
- 2.5 Neurophysiology of Color Vision
- 2.6 Physiological Color Spaces
- 2.7 Psychophysical and Physiological Simulations of Color Vision
- 2.8 Conscious vs. Unconscious Judgments
- 2.9 Conclusions
- References
- 3. Receptors, Channels and Color in Primate Retina
- 3.1 Introduction
- 3.2 Physiology and Anatomy in the Retina
- 3.3 Conclusions
- References
- 4. Chromatic Processing in the Lateral Geniculate Nucleus of the Common Marmoset (Callithrix jacchus)
- 4.1 Introduction
- 4.2 Spectral Responsivities
- 4.3 Responses of LGN Cells to Various Photoreceptor Contrasts
- 4.4 Selective Photoreceptor Stimulation in Human Observers
- 4.5 Summary
- References
- 5. Molecular Genetics and the Biological Basis of Color Vision
- 5.1 Introduction
- 5.2 Background
- 5.3 Spectral Tuning of M- and L-Cone Pigments
- 5.4 Color Vision Defects
- 5.5 Variation in Normal Color Vision
- 5.6 What Can Visual Pigment Gene Expression Tell Us about the Architecture of the Retina?
- References
- 6. Source Analysis of Color-Evoked Potentials in a Realistic Head Model Confirmed by Functional MRI
- 6.1 Introduction
- 6.2 Methods
- 6.3 Results
- 6.4 Discussion
- 6.5 Summary
- References
- 7. Wavelength Information Processing versus Color Perception: Evidence from Blindsight and Color-Blind Sight
- 7.1 Introduction
- 7.2 Wavelength Information Processing
- 7.3 Segregation of Wavelength and Intensity Information and Constancy
- 7.4 Color Perception
- References
- 8. Color Vision in Lower Vertebrates
- 8.1 Introduction
- 8.2 Wavelength Discrimination in Lower Vertebrates
- 8.3 Color Constancy and Color Contrast
- 8.4 Color Vision and Other Visual Functions: Evidence for Parallel Processing of Visual Information
- 8.5 Color Perception
- 8.6 Summary
- References
- 9. Color Vision: Ecology and Evolution in Making the Best of the Photic Environment
- 9.1 Introduction
- 9.2 Palaeontological Record
- 9.3 Daylight and Color Vision
- 9.4 Colorimetry
- 9.5 Color Spaces
- 9.6 Evolution of Floral Colors and Color Vision
- 9.7 Color Patterns in Flowers
- 9.8 Trichromacy and Tetrachromacy
- 9.9 Conclusions
- References
- III. Psychology and Philosophy
- 10. The Perception of Blackness: An Historical and Contemporary Review
- 10.1 Introduction
- 10.2 The Phenomenology of Blackness
- 10.3 Historical Review
- 10.4 Physiological Mechanisms
- 10.5 Conclusion
- References
- 11. Basic Color Terms and Basic Color Categories
- Discussion and Summary
- References
- 12. Color Perception: From Grassman Codes to a Dual Code for Object and Illumination Colors
- 12.1 Introduction
- 12.2 Elementaristic vs. Ecological Perspectives in Color Research
- 12.3 Attributes of Color
- 12.4 Early Color Coding and the Elementaristic Approach
- 12.5 Ecological and Computational Perspectives
- 12.6 Center-Surround Configurations as Minimal Stimuli for Triggering a Dual Code for 'Object Colors' and 'Illumination Colors'
- References
- 13. Color Contrast Gain Control
- 13.1 Introduction
- 13.2 Model Components
- 13.3 Color Image Processing
- 13.4 Discussion
- 13.5 Summary
- References
- 14. Binocular Brightness Combination: A Mechanism for Combining Two Sources of Rather Similar Information
- 14.1 Intensity Invariance of Binocular Brightness
- 14.2 Methods
- 14.3 Results
- 14.4 Discussion
- 14.5 Summary
- References
- 15. Inferences about Infant Color Vision
- 15.1 Introduction
- 15.2 Inferences from Luminosity
- 15.3 Inferences from Silent Substitution
- 15.4 Inferences about Rod Intrusion
- 15.5 Inferences about M- and L-Cones
- 15.6 Summary
- References
- IV. Color Metrics and Application
- 16. Dichromacy - The Simplest Type of Color Vision
- 16.1 Introduction: An Initial Overview
- 16.2 The Trichromatic Instrumental Color Space 3VBGR
- 16.3 Measuring the Deuteranopic Missing Color and Reducing Trichromacy to Deuteranopia
- 16.4 The Transition from the Instrumental Trichromatic Space to the Instrumental Deuteranopic Space
- 16.5 The Transformation from the Trichromatic Instrumental Color Space to the Deuteranopic Opponent-Color Space
- 16.6 The Role of the Fundamental Color Space
- 16.7 Construction of the Fundamental Color Spaces 3VPTD and 2VPT and the Deuteranopic Opponent-Color Channels
- 16.8 A Synopsis of Deuteranopia
- 16.9 A Synopsis of Dichromacy
- 16.10 A Lattice-Theoretical Classification of Dichromacy and Other Color Deficiencies
- 16.11 Concluding Remarks
- 16.12 Summary
- References
- 17. Current CIE Work to Achieve Physiologically-Correct Color Metrics
- 17.1 Introduction
- 17.2 Cone Excitation Spectra
- 17.3 Further Aspects
- 17.4 Summary
- References
- 18. Use of Computer Graphics in PostScript for Color Didactics
- 18.1 Introduction
- 18.2 Multiplicity of Colors
- 18.3 Color Solid, Basic Colors and Color Attributes
- 18.4 Spectrum and 3-Dimensional Color Values
- 18.5 Color Measurement, Mixture and Contrast
- 18.6 Colors: Equally Spaced and Thresholds
- 18.7 Opponent Achromatic Color Vision
- 18.8 Sensitivity, Saturation and Chromaticity
- 18.9 Summary
- References
- List of Contributors
- Index
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