Lure of the Big Screen
Cinema in Rural Australia and the United Kingdom
1st Edition
Published on 1. December 2014
175 pages
978-1-78320-384-0 (ISBN)
Description
Lure of the Big Screen explores film exhibition and consumption in rural parts of the UK and Australia, where film theatres are often highly valued as spaces around which isolated communities can gather and interact. Going beyond national borders, this book examines how theatres in areas of social and economic decline are sustained by resourceful individuals and sub-commercial operating structures. Systematic analysis of cinemas in non-metropolitan locations has yielded an original five-tiered clustering model through which Karina Aveyard recognizes a range of types between large commercial multiplexes in stable regional centres and their smallest improvised counterparts in remote settlements.
More details
Edition
1. Auflage
Language
English
Place of publication
United Kingdom
Publishing group
Intellect
Target group
Professional and scholarly
ISBN-13
978-1-78320-384-0 (9781783203840)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Book
02/2015
Intellect Books
€74.80
Shipment within 3-4 weeks
Person
Karina Aveyard is a lecturer in the School of Art, Media and American Studies at the University of East Anglia and an adjunct research fellow at Griffith University. Her research interests include film exhibition and distribution, audiences and cultural geography.
Content
Introduction
Chapter 1: Hierarchies of Rural Cinema
Chapter 2: Rural Cinema as a Business
Chapter 3: Rural Cinema and Public Policy
Chapter 4: Rural Cinema and Grassroots Movements
Chapter 5: Rural Cinema as a Social Event
Conclusion: The Lure of the Big Screen
Appendix A: Methodological Notes
Appendix B: Industry Interviews and Correspondence
Chapter 1: Hierarchies of Rural Cinema
Chapter 2: Rural Cinema as a Business
Chapter 3: Rural Cinema and Public Policy
Chapter 4: Rural Cinema and Grassroots Movements
Chapter 5: Rural Cinema as a Social Event
Conclusion: The Lure of the Big Screen
Appendix A: Methodological Notes
Appendix B: Industry Interviews and Correspondence
