
Surrealist Sorcery
Description
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From very early on, the surrealists approached magic as a means of bypassing, discrediting, and combatting rationalism, capitalism, and other institutionalized systems and values that they saw to be constraining influences upon modern life. Surrealist Sorcery maps out how this interest in magic developed into a major area of surrealist research that led not only to theoretical but also practical explorations of the subject. Taking an international perspective, Atkin surveys this important quality of the movement and how it's remained an important element in the surrealist project and its ongoing legacy.
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Person
Content
List of Figures
List of Colour Plates
1. Of Gold, Meteors, Stones and Crystals: Alchemy and the Object in the works of André Breton, Salvador Dalí, and Ithell Colquhoun, 1929-1949
2. Satanic Sorcery: Black Magic, Demons and Vampires in the Objects and Writings of Gherasim Luca, 1939-1945
3. Cosmic Magic: Talismans and Ciphers in the Objects of Victor Brauner, 1940-1946
4. Primordial Myth and Magic in the Writings of André Breton and Benjamin Péret, 1942-1959
5. Ritual Magic in the Masks and Fetishes of Mimi Parent and Jean Benoît, 1959-1976
Conclusion
Notes
Index
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